("Eveline", Joyce)
Plot:
The Story "Eveline" holds potential to become a deep and sentimental film. As a story of unsatisfied love and tragedy, this tale would serve well to capture the pity and emotion of the viewers. Within this production, I would not alter the plot very much. Eveline would still start at her house and then rush to the boat and then refuse to get on. However I would enhance emotion by including many vivid flashbacks of Eveline's life; she wouldn't simply think about her father's actions, the viewer would witness a cheerful and loving family transform into family abuse towards young children including alcohol and language. Additionally I would enhance memories of Eveline's mother, including intense, last wishes of protection for her children. These flashbacks would only improve the piece's theme of effects of a rough home life and indecision. The tearful ending would display Eveline rushing after the boat until she suddenly stops, with a lost look, and returns to her dark and unstable house.
Point of View:
The point of view would remain the same for this piece: first person as told by Eveline. This would allow for the production to include the constant mental conflict within Eveline to occur. Additionally, this would keep the thoughts and notions of other characters secret, which would gain interest from the viewers. They would remain questioning the love and emotion of Frank and witness the horror of an abusive father from a child's eyes. This point of view would support the use of flashbacks and the overall additional mental conflict. This film would change point of view simply by increasing the amount of Eveline's conflicting thoughts in order to increase the reaction to Eveline's final choice. This would put a stronger emphasis on Eveline, and would only strengthen the theme of a broken home and indecision.
Characterization:
The film would impact this element the most. Eveline would become a worn, young woman with a constant lost look as she remains trapped by her mental battle. Her father will model the most horrible and distant father possible, making Eveline's life a living hell. Eveline's siblings will be young and cling to Eveline, as she single-handily raises them. However, she finds peace and joy when she is with Frank. Frank will be transformed into the only love and light with Eveline's life; they will love each other with passion and commitment. This will not negatively impact the theme, for the effects of a broken household not only upheld but peaked at an emotional climax. These characters will make this story traumatic and memorable.
Setting:
The setting of the short story it's quite stated except that it is a dark little town on the coast with a harbor. Personally, I pictured the story a dark little town filled with selfish and rude people, wearing dark dirty colors. Eveline would also be dressed this way, and the town would be set in a cold harbor town perhaps in Ireland or England. This setting captures the current status of Eveline: trapped in an atmosphere of darkness and selfishness, with the shore as the only refuge and peace. The setting plays an important aspect of the visual cues and imagery of the piece; the setting will portray and exhibit the distant and horrible lifestyle of Eveline. This setting is only an extension of the original setting and will only try to increase the impact of the original message of a broken home and duty.
Theme:
The original theme of indecision and effects of a broken home will be clearly portrayed in this film. The important effects such as Eveline's lost decision at the end and fighting conscience to get there will be included. This is done in order to maintain the original theme. The only aspect that is altered is the lack of positive reason for Eveline to stay in her current life and increase of care and love for Frank. These alterations simply enhance the effects of her broken home and increase the effect of her final choice to remain home. The themes of indecision are captured in her unsatisfactory ending, lacking escape and freedom and happiness.
Wednesday, December 15, 2010
Monday, December 6, 2010
Different Models of the Same Blueprint
("The Bicentennial Man", Isaac Asimov )
Plot
The structure and actions of the story and movie of Bicentennial Man take different directions. The short story choose to focus on Andrew's impact on robot history and his works while the film took a more personal spin with a focus on Andrew's different relationships. The film did this by adding new characters of the story, such as a human marriage partner for Andrew to fight for. He doesn't spend his time reading and writing in the film as he did in the play. His personal goal to be claimed as human is used in both works, but the film gave it a drastically more emotional kick. The film also increased the level of pity and emotion by changing the attitude of the robot companies. In contrast to the story where the company was a single and more just company, the company of the film openly rejected Andrew and claimed he was an object. Additionally, the treatments that make Andrew more human are preformed differently in the story and film; the film used an outside company instead of the original company in order to give a more evil impression to company. However, while these works were quite different, both structures worked to give similar themes and ideals about fear and rights.
Point of View
The story uses a third person point of view with a focus on Andrew. This was done to display the lack of emotion and feelings that a robot would have in comparison to a human. Using third person simply offers distance and contributes to a inhumane theme. The film also used this point of view in the beginning; however, as the story progressed, the point of view also progressed. This is displayed with the shift of Andrew calling himself "I" instead of "one". Throughout the film, the viewer is exposed to more of Andrew's thoughts and eventually his emotions (such as when he cries in court). At the end, the point of view was still third person, but there was an obvious shift to capture Andrew's emotions that isn't found in the story. These different focus show the differing focus of the works. The story wants to center on the effects of human fears and history while the film desires to focus on the Andrew's emotions and impact of his "humanity".
Characterization
The characterization between the film and the story doesn't change much in concern to Andrew; He is quite smart and unique in both works. The film did a better job at documenting the transformation of Andrew simply because it was visually shown. However, the minor characters play drastically different roles in these works. There aren't too many minor characters in the story, displaying the isolation and differences of Andrew to humans. In the film, the differences of humans and robots are bridged with the development of new characters that interact with Andrew. There is the woman that falls in love with Andrew, and a personal scientist that modifies Andrew and both characters give Andrew a more human aura. Additionally the film developed more characters to create a more humorous piece, such as an annoying preteen family members and goofy robots. The different uses of characters reflect the different impacts of the story: the story trying to show isolation while the film tries to make Andrew more human.
Setting
This is the most similar aspect of both the film and story. Both seem to occur in a futuristic society. The film gives a year range of 2005 to 22o5 while the book simply describes a developing society. Both works cling to traditional activities regardless of time, such as reading books, walking, and human interaction. This lack of change reflects the difficulties of both of these societies to grasp the changing images of robots. Still, both works changed as the years passed. Fashion and technologies and robot mechanics were documented in the story. The film also had these changing elements; however, many more elements such as architecture and health care were captured in the film. Because the film is a visual piece, it is easier to feel and see the change of time. The change of time holds a bigger impact as the viewer witnesses the setting change and people and generations grow old.
Theme
The differences of the film and story reflect the vast differences of the themes and ideals. While both worked to question what is human, both took drastically methods and hold different ideals. The story focused more on human fear, fear of mistakes the future and the unknown. This is described in the countless different legal obstacles Andrew faces the societal focus on keeping robots as machines and structured. The film, in contrast, holds a places more stress on the qualifications of humans. The last scenes of the film require emotion as Andrew tries to overcome the judgemental requirements of being human. The additional aspects of his marriage and visible human-like aging body create a theme more centered on questioning what is human. Other elements of characterization and point of view and plot also reflect the differences of themes between the film and story.
All and all, the film and story of Bicentennial Man are too different to be compared. Both were well-done works that shouldn't be condemned based upon their differences. Rather, they should be viewed as completely separate works with different, important ideals. Both were entertaining and called for questioning of human morals.
Plot
The structure and actions of the story and movie of Bicentennial Man take different directions. The short story choose to focus on Andrew's impact on robot history and his works while the film took a more personal spin with a focus on Andrew's different relationships. The film did this by adding new characters of the story, such as a human marriage partner for Andrew to fight for. He doesn't spend his time reading and writing in the film as he did in the play. His personal goal to be claimed as human is used in both works, but the film gave it a drastically more emotional kick. The film also increased the level of pity and emotion by changing the attitude of the robot companies. In contrast to the story where the company was a single and more just company, the company of the film openly rejected Andrew and claimed he was an object. Additionally, the treatments that make Andrew more human are preformed differently in the story and film; the film used an outside company instead of the original company in order to give a more evil impression to company. However, while these works were quite different, both structures worked to give similar themes and ideals about fear and rights.
Point of View
The story uses a third person point of view with a focus on Andrew. This was done to display the lack of emotion and feelings that a robot would have in comparison to a human. Using third person simply offers distance and contributes to a inhumane theme. The film also used this point of view in the beginning; however, as the story progressed, the point of view also progressed. This is displayed with the shift of Andrew calling himself "I" instead of "one". Throughout the film, the viewer is exposed to more of Andrew's thoughts and eventually his emotions (such as when he cries in court). At the end, the point of view was still third person, but there was an obvious shift to capture Andrew's emotions that isn't found in the story. These different focus show the differing focus of the works. The story wants to center on the effects of human fears and history while the film desires to focus on the Andrew's emotions and impact of his "humanity".
Characterization
The characterization between the film and the story doesn't change much in concern to Andrew; He is quite smart and unique in both works. The film did a better job at documenting the transformation of Andrew simply because it was visually shown. However, the minor characters play drastically different roles in these works. There aren't too many minor characters in the story, displaying the isolation and differences of Andrew to humans. In the film, the differences of humans and robots are bridged with the development of new characters that interact with Andrew. There is the woman that falls in love with Andrew, and a personal scientist that modifies Andrew and both characters give Andrew a more human aura. Additionally the film developed more characters to create a more humorous piece, such as an annoying preteen family members and goofy robots. The different uses of characters reflect the different impacts of the story: the story trying to show isolation while the film tries to make Andrew more human.
Setting
This is the most similar aspect of both the film and story. Both seem to occur in a futuristic society. The film gives a year range of 2005 to 22o5 while the book simply describes a developing society. Both works cling to traditional activities regardless of time, such as reading books, walking, and human interaction. This lack of change reflects the difficulties of both of these societies to grasp the changing images of robots. Still, both works changed as the years passed. Fashion and technologies and robot mechanics were documented in the story. The film also had these changing elements; however, many more elements such as architecture and health care were captured in the film. Because the film is a visual piece, it is easier to feel and see the change of time. The change of time holds a bigger impact as the viewer witnesses the setting change and people and generations grow old.
Theme
The differences of the film and story reflect the vast differences of the themes and ideals. While both worked to question what is human, both took drastically methods and hold different ideals. The story focused more on human fear, fear of mistakes the future and the unknown. This is described in the countless different legal obstacles Andrew faces the societal focus on keeping robots as machines and structured. The film, in contrast, holds a places more stress on the qualifications of humans. The last scenes of the film require emotion as Andrew tries to overcome the judgemental requirements of being human. The additional aspects of his marriage and visible human-like aging body create a theme more centered on questioning what is human. Other elements of characterization and point of view and plot also reflect the differences of themes between the film and story.
All and all, the film and story of Bicentennial Man are too different to be compared. Both were well-done works that shouldn't be condemned based upon their differences. Rather, they should be viewed as completely separate works with different, important ideals. Both were entertaining and called for questioning of human morals.
Thursday, December 2, 2010
Nanny Service?
("Popular Mechanics", Raymond Carver)
Then she noticed the baby's picture on the bed and picked it up
During this entire work, the man and woman use the baby as an object. Neither seem to even remember the baby until the woman sees the picture. Now, although the couple doesn't need to always focus on the child, the poor child shouldn't get be forgotten. It's disheartening when children are caught in the cross-fire of troubled parents. This poor baby can be found in many works such the song D-I-V-O-R-C-E or the more humorous interpretation in the movie Mrs. Doubtfire. Perhaps if the husband dressed as a woman he would have a better chance of winning over the child. These kids are simply objects to express anger and emotion and hurt. It's such a shame that such disagreement causes a loss of respect for both the couple and their children.
Then she noticed the baby's picture on the bed and picked it up
During this entire work, the man and woman use the baby as an object. Neither seem to even remember the baby until the woman sees the picture. Now, although the couple doesn't need to always focus on the child, the poor child shouldn't get be forgotten. It's disheartening when children are caught in the cross-fire of troubled parents. This poor baby can be found in many works such the song D-I-V-O-R-C-E or the more humorous interpretation in the movie Mrs. Doubtfire. Perhaps if the husband dressed as a woman he would have a better chance of winning over the child. These kids are simply objects to express anger and emotion and hurt. It's such a shame that such disagreement causes a loss of respect for both the couple and their children.
Consider the Source...
("The Lottery", Shirley Jackson)
The mindless acceptance of tradition is the major theme of this story. However, basically every tradition, from an outsider's perspective, seems to have mindless acceptance. This town's tradition isn't bizarre and cruel to them, and while readers can judge these people, they fall victim to the same wrong. Our society has many traditions, known and unknown, that would seem absorb to an outsider. The motivation for Black Friday or hatred of Mondays really doesn't have a source, rather it's just an aspect of society. We love football and value free will; we respond to fire drills and take senior pictures. While these actions may have a source, the fact that our society still follows them displays the same mindless obedience. Traditions are important and impact society; however, as this story and life has shown, it is important to reevaluate the purpose of the tradition.
The mindless acceptance of tradition is the major theme of this story. However, basically every tradition, from an outsider's perspective, seems to have mindless acceptance. This town's tradition isn't bizarre and cruel to them, and while readers can judge these people, they fall victim to the same wrong. Our society has many traditions, known and unknown, that would seem absorb to an outsider. The motivation for Black Friday or hatred of Mondays really doesn't have a source, rather it's just an aspect of society. We love football and value free will; we respond to fire drills and take senior pictures. While these actions may have a source, the fact that our society still follows them displays the same mindless obedience. Traditions are important and impact society; however, as this story and life has shown, it is important to reevaluate the purpose of the tradition.
Wednesday, December 1, 2010
Many Storys From the Same Painting
("The Drunkard", Frank O'Connor)
Many different viewpoints and opinions occur when the small boy is drunk:
The women that sees Larry take the drink: This women is quick to reveal to Larry's father what Larry has been and judges Larry and Larry's father with dirty looks.
The Publican: This man confronts Larry's father Mick and declares that he shouldn't have bought his son at all. And reminds Mick that the police would act upon such poor parenting.
The gang of old women: This group receives the harshest remarks from Larry, yet they find humor in the situation. They will bring gossip and attention to the situation.
Larry's Mother: This poor woman is victim of a alcoholic husband, and when Larry returns drunk she seems to be angry, yet later reveals her joy in the situation.
Mick: As an alcoholic, he finally pays his dues for the pain and embarrassment he has caused on his family. As he suffers the embarrassment of having caused a drunk son, he faces the realisation of the wrong in his habits. He seems to now be able to work towards a better future, thanks to all previous viewpoints of the situation.
The main viewpoint and theme of this story is to display the effects of an alcoholic even to the extreme of a drunk little boy.
Many different viewpoints and opinions occur when the small boy is drunk:
The women that sees Larry take the drink: This women is quick to reveal to Larry's father what Larry has been and judges Larry and Larry's father with dirty looks.
The Publican: This man confronts Larry's father Mick and declares that he shouldn't have bought his son at all. And reminds Mick that the police would act upon such poor parenting.
The gang of old women: This group receives the harshest remarks from Larry, yet they find humor in the situation. They will bring gossip and attention to the situation.
Larry's Mother: This poor woman is victim of a alcoholic husband, and when Larry returns drunk she seems to be angry, yet later reveals her joy in the situation.
Mick: As an alcoholic, he finally pays his dues for the pain and embarrassment he has caused on his family. As he suffers the embarrassment of having caused a drunk son, he faces the realisation of the wrong in his habits. He seems to now be able to work towards a better future, thanks to all previous viewpoints of the situation.
The main viewpoint and theme of this story is to display the effects of an alcoholic even to the extreme of a drunk little boy.
Actions Speak Louder than Words
("You're Ugly, Too" , Lorrie Moore)
"Everything you want is out there waiting for you to ask. Everything you want also wants you. But you have to take action to get it" ~ Jules Renard
The title of this work captures the very essence of major character Zoe. Her life is a an entertaining joke; however, her personality and lifestyle isn't that deep. Her encounters with the naked-women-man are silly and her interpretation of the Midwest, while offensive, are hilarious. And a teacher can't go wrong with reviving class with song and dance (Mr. Keller's singing brightens every test...), but Zoe's personality basically stops there. She doesn't seem content or happy at all, yet she chooses to complain through humor and sarcasm rather than change her life. Instead of admitting fear for planes or insecurities for men, she resorts to complaining. Zoe makes herself miserable, with no hope of change. This intelligent and witty women simply needs to DO something with her life; she needs to go where she will be happy, teach where singers and thinkers are welcomed, and feel pride in herself and her chin hairs. But perhaps she will want a second opinion....
"Everything you want is out there waiting for you to ask. Everything you want also wants you. But you have to take action to get it" ~ Jules Renard
The title of this work captures the very essence of major character Zoe. Her life is a an entertaining joke; however, her personality and lifestyle isn't that deep. Her encounters with the naked-women-man are silly and her interpretation of the Midwest, while offensive, are hilarious. And a teacher can't go wrong with reviving class with song and dance (Mr. Keller's singing brightens every test...), but Zoe's personality basically stops there. She doesn't seem content or happy at all, yet she chooses to complain through humor and sarcasm rather than change her life. Instead of admitting fear for planes or insecurities for men, she resorts to complaining. Zoe makes herself miserable, with no hope of change. This intelligent and witty women simply needs to DO something with her life; she needs to go where she will be happy, teach where singers and thinkers are welcomed, and feel pride in herself and her chin hairs. But perhaps she will want a second opinion....
Monday, November 29, 2010
The Mother Load...
("The Bicentennial Man", Isaac Asimov)
Plot:
This story is told in media res, with Andrew about to receive the surgery that is not described until the end. This structure of this exposition draws the reader in and sets the tone of the major ideals of the story. The introduction of the different families and company leaders throughout the work help define the climax of Andrew's last operation and the final resolution of Andrew being considered a man. This plot structure serves as an emotional trap, capturing the reader's sympathy and pity. As Andrew remains a prisoner of time and human fear, the morals and suspense of the piece are displayed through the countless examples of passing family such as the compassion of Little Miss and final efforts of Li-Hsing. The plot reveals that goals can be achieved with time and passion and explains the morals of the piece by offering explanation of the human fears and discrimination of servers.
Point of View
This tale is portrayed in a third person point of view. A distant narrator seems to focus on Andrew's thoughts, yet not all thoughts and feelings are revealed. This use of point of view matches the ideals of the story: the difference of robots and human. If told from a human prospective, perhaps this story would have been told from first person. The use of third person displays that although some feels can be given, not all can be expressed; a robot simply cannot obtain all human aspects. There is a level of distance found in a third person narrator, similar to the distance of the robots, shown in the following quotes: "The surgeon said softy, with that certain inalienable note of respect that a robot always used to a human being." (p. 245) "My body is a canvas on which I intend to draw-... Magdescu waited for the sentence to be completed, and when it seemed that it would not be, he completed it himself. "A man?" "We shall see," said Andrew." (p. 280).
Characterization
There are few major characters aside from Andrew within this short story, displaying the isolation Andrew experiences as well as the spread of time of the work. Andrew is characterized through comparison to other robots. His entire life is judged not by his personal nature, rather, how he differs from the norm. This is captured in the scenes when his artistic talent is discovered (p. 250-254) or when his impact on robot history is explained (p. 268-272). Other characters are mostly characterized by their relation to Andrew: Little Miss is displayed as a caring and lovely girl with a desire of justice. Her son Paul mirrors his mother's compassion and serves as the fighting vessel for Andrew to achieve some of his dreams. Various company leaders are pictured as cruel and closed-minded if the reject Andrew, and are treasured if they help Andrew. Basically the characters of this story are shaped by their relationship to Andrew and Andrew's journey.
Setting
This tale is set in a seemingly future society of Earth. Some clues imply that it's set in a relatively modern time, aside from the advancement of robots, such as the use of books (Andrew writes a book), maps (p. 261), titles( Sir, Little Miss, cooperate titles), and travel methods (p. 261-262). On an interesting side note, the fashions seem to retrogress, from classic suits, to floppy clothing, to bear, Egyptian-like at the end. The major emphasis of this setting upon the ideals of the book is that it doesn't change too much throughout the book. This parallels the notion that although the society has advanced many decades, fears and injustice has not been resolved. Andrew is pushing the society to change, but he's only one force. The given setting also reflects the spread of Andrew's ideas and protest. The detail of setting expands from Sir's house to various corporations until reaching the global courts. The setting is used to display Andrew's impact from the Earth and even to the Moon and how he can only make so much impact.
Theme
" How can they fear robots? "It's disease of mankind, one of which it is not yet cured." (p. 264)
The major idea of this tale is to display the effects of fear. Not only human fear of ruling robots, rather the fear of mistake, accepting mistake, and the possibility of the future. Throughout the work, this theme of fear defines the human population: (describing a robot) "There would be no hesitation in his work, no stumbling, no quivering, no mistakes. That came with specialization of course, a specialization so fiercely desired by humanity that few robots were, any longer independently brained." (p. 246). Countless leaders refuse to provide Andrew with his dreams simply due to fear of providing the chance of flaw and mistake. This story represents the common human action to take things too far; the cliche saying "The sky's the limit" now chokes this society. Morals and limits have to be set rather than reaching the most maximum advances. When Andrew fights for seemingly fundamental things such as freedom, rights, and acceptance, he challenges the concept of accepting mistake and changing motives. This story displays how many try to overlook the objections to their plans, wanting to avoid mistake and flaws. The theme of this story is the fear of mistake and flaw.
Favorite Quotes:
" I don't know the proper way of phrasing things, but I hope you will listen to my meaning and ignore the words" (p. 255)
"Freedom is without a price, Sir" said Andrew. "Even the chance of freedom is worth the money." (p. 254)
"Andrew said, "Are not human bodies beautifully functional, George? Yet you cover yourselves" (p. 258)
"Yet he was no really alone. If a man had died, the firm of Feingold and Charney lived, for a corporation does not die any more than a robot does." (p. 277)
Plot:
This story is told in media res, with Andrew about to receive the surgery that is not described until the end. This structure of this exposition draws the reader in and sets the tone of the major ideals of the story. The introduction of the different families and company leaders throughout the work help define the climax of Andrew's last operation and the final resolution of Andrew being considered a man. This plot structure serves as an emotional trap, capturing the reader's sympathy and pity. As Andrew remains a prisoner of time and human fear, the morals and suspense of the piece are displayed through the countless examples of passing family such as the compassion of Little Miss and final efforts of Li-Hsing. The plot reveals that goals can be achieved with time and passion and explains the morals of the piece by offering explanation of the human fears and discrimination of servers.
Point of View
This tale is portrayed in a third person point of view. A distant narrator seems to focus on Andrew's thoughts, yet not all thoughts and feelings are revealed. This use of point of view matches the ideals of the story: the difference of robots and human. If told from a human prospective, perhaps this story would have been told from first person. The use of third person displays that although some feels can be given, not all can be expressed; a robot simply cannot obtain all human aspects. There is a level of distance found in a third person narrator, similar to the distance of the robots, shown in the following quotes: "The surgeon said softy, with that certain inalienable note of respect that a robot always used to a human being." (p. 245) "My body is a canvas on which I intend to draw-... Magdescu waited for the sentence to be completed, and when it seemed that it would not be, he completed it himself. "A man?" "We shall see," said Andrew." (p. 280).
Characterization
There are few major characters aside from Andrew within this short story, displaying the isolation Andrew experiences as well as the spread of time of the work. Andrew is characterized through comparison to other robots. His entire life is judged not by his personal nature, rather, how he differs from the norm. This is captured in the scenes when his artistic talent is discovered (p. 250-254) or when his impact on robot history is explained (p. 268-272). Other characters are mostly characterized by their relation to Andrew: Little Miss is displayed as a caring and lovely girl with a desire of justice. Her son Paul mirrors his mother's compassion and serves as the fighting vessel for Andrew to achieve some of his dreams. Various company leaders are pictured as cruel and closed-minded if the reject Andrew, and are treasured if they help Andrew. Basically the characters of this story are shaped by their relationship to Andrew and Andrew's journey.
Setting
This tale is set in a seemingly future society of Earth. Some clues imply that it's set in a relatively modern time, aside from the advancement of robots, such as the use of books (Andrew writes a book), maps (p. 261), titles( Sir, Little Miss, cooperate titles), and travel methods (p. 261-262). On an interesting side note, the fashions seem to retrogress, from classic suits, to floppy clothing, to bear, Egyptian-like at the end. The major emphasis of this setting upon the ideals of the book is that it doesn't change too much throughout the book. This parallels the notion that although the society has advanced many decades, fears and injustice has not been resolved. Andrew is pushing the society to change, but he's only one force. The given setting also reflects the spread of Andrew's ideas and protest. The detail of setting expands from Sir's house to various corporations until reaching the global courts. The setting is used to display Andrew's impact from the Earth and even to the Moon and how he can only make so much impact.
Theme
" How can they fear robots? "It's disease of mankind, one of which it is not yet cured." (p. 264)
The major idea of this tale is to display the effects of fear. Not only human fear of ruling robots, rather the fear of mistake, accepting mistake, and the possibility of the future. Throughout the work, this theme of fear defines the human population: (describing a robot) "There would be no hesitation in his work, no stumbling, no quivering, no mistakes. That came with specialization of course, a specialization so fiercely desired by humanity that few robots were, any longer independently brained." (p. 246). Countless leaders refuse to provide Andrew with his dreams simply due to fear of providing the chance of flaw and mistake. This story represents the common human action to take things too far; the cliche saying "The sky's the limit" now chokes this society. Morals and limits have to be set rather than reaching the most maximum advances. When Andrew fights for seemingly fundamental things such as freedom, rights, and acceptance, he challenges the concept of accepting mistake and changing motives. This story displays how many try to overlook the objections to their plans, wanting to avoid mistake and flaws. The theme of this story is the fear of mistake and flaw.
Favorite Quotes:
" I don't know the proper way of phrasing things, but I hope you will listen to my meaning and ignore the words" (p. 255)
"Freedom is without a price, Sir" said Andrew. "Even the chance of freedom is worth the money." (p. 254)
"Andrew said, "Are not human bodies beautifully functional, George? Yet you cover yourselves" (p. 258)
"Yet he was no really alone. If a man had died, the firm of Feingold and Charney lived, for a corporation does not die any more than a robot does." (p. 277)
Wednesday, November 17, 2010
All the World's a Stage...
("Miss Brill", Mansfield)
"All the world's a stage, and all the men and women are merely players" ~William Shakespeare
This well-known quote defines this short story. Miss Brill describes her Sunday activities of people watching and compares it to a play. She has given a role to each person and watches with passion. She even goes as far as to become an actress herself, and includes herself into the lives of those around her. I think this action truly describes this story: Miss Brill wanting to be part of something, to feel needed. Productions and acting, like many other activities, always a group of people to become a close-knit group. yet acting allows more than that; acting allows the chance to become anyone and to overcome flaws and issues. The "acting" of Miss Brill not only gives her the feeling of being needed, but it also gives her the chance to become more. She transforms into a beautiful women wearing a milk coat simply observing the awe-inspired community. Acting allows her to escape, away from being alone, away from rude young couples, and away from feeling unwanted.
The following video is of a goofy bunch of kids preforming the scene from which the quoted line comes from. Enjoy!
"All the world's a stage, and all the men and women are merely players" ~William Shakespeare
This well-known quote defines this short story. Miss Brill describes her Sunday activities of people watching and compares it to a play. She has given a role to each person and watches with passion. She even goes as far as to become an actress herself, and includes herself into the lives of those around her. I think this action truly describes this story: Miss Brill wanting to be part of something, to feel needed. Productions and acting, like many other activities, always a group of people to become a close-knit group. yet acting allows more than that; acting allows the chance to become anyone and to overcome flaws and issues. The "acting" of Miss Brill not only gives her the feeling of being needed, but it also gives her the chance to become more. She transforms into a beautiful women wearing a milk coat simply observing the awe-inspired community. Acting allows her to escape, away from being alone, away from rude young couples, and away from feeling unwanted.
The following video is of a goofy bunch of kids preforming the scene from which the quoted line comes from. Enjoy!
In a Kingdom Far Far Away....
("Once Upon a Time", Gordimer)
This satire of children's stories compares well with works similar to "The Brothers Grimm"; however, some of the core aspects of the work are comparable to more traditional tales, some found in the musical Into the Woods. One of the best similarities is between the family and the classic tale of Rapunzel. Both stories display a desire by a parent-figure to protect the innocence of a child-figure. The world is the enemy, therefore, hiding from the world in tower or behind "Dragon's Teeth" is the best solution. And both tales soon reveal that a lack of knowledge is the biggest danger. Similar to the wounding/death of the young boy, Into the Woods captures the raw emotion of the wicked witch as her beloved Rapunzel suffers from a lack of knowledge. The following link goes to a link of Barbra Streisand singing "Children Will Listen", a song from Into the Woods involving the importance of parental influence on children: http://www.youtube.com/watch?v=hiTaDJ9E1I0&feature=related . This clip also has a bit about the obscure lessons of children stories.
This satire of children's stories compares well with works similar to "The Brothers Grimm"; however, some of the core aspects of the work are comparable to more traditional tales, some found in the musical Into the Woods. One of the best similarities is between the family and the classic tale of Rapunzel. Both stories display a desire by a parent-figure to protect the innocence of a child-figure. The world is the enemy, therefore, hiding from the world in tower or behind "Dragon's Teeth" is the best solution. And both tales soon reveal that a lack of knowledge is the biggest danger. Similar to the wounding/death of the young boy, Into the Woods captures the raw emotion of the wicked witch as her beloved Rapunzel suffers from a lack of knowledge. The following link goes to a link of Barbra Streisand singing "Children Will Listen", a song from Into the Woods involving the importance of parental influence on children: http://www.youtube.com/watch?v=hiTaDJ9E1I0&feature=related . This clip also has a bit about the obscure lessons of children stories.
A Bit Beyond the Due Date...
("A Worn Path", Welty)
The other characters of this story magnify the impact of Phoenix upon the story. In general, all of the characters address Phoenix with respect or admiration through the title "Grandma"; Phoenix holds a respected title rather than being brushed off. The hunter seems to be a past friend, implying the multitude of times Phoenix has taken this journey, who is concerned by this long and draining journey made by Phoenix. Other characters seem to hold concern for Phoenix, such as the nurse at the end who gives her a nickel and restrains her concerns and judgement. These characters increase the impact of the journey made by Phoenix as well as suggest that the old woman is not mentally sound. Her conversation is loosing substance and reveals a questionable mind state, such as when she forgets about her grandson. A few other "characters" of the story impact the implication of Phoenix's mental state, such as the in depth monologue she hols with the bushes and scarecrow. The characters of this tale imply that Phoenix is a loving and admirable woman that may be just past her prime.
The other characters of this story magnify the impact of Phoenix upon the story. In general, all of the characters address Phoenix with respect or admiration through the title "Grandma"; Phoenix holds a respected title rather than being brushed off. The hunter seems to be a past friend, implying the multitude of times Phoenix has taken this journey, who is concerned by this long and draining journey made by Phoenix. Other characters seem to hold concern for Phoenix, such as the nurse at the end who gives her a nickel and restrains her concerns and judgement. These characters increase the impact of the journey made by Phoenix as well as suggest that the old woman is not mentally sound. Her conversation is loosing substance and reveals a questionable mind state, such as when she forgets about her grandson. A few other "characters" of the story impact the implication of Phoenix's mental state, such as the in depth monologue she hols with the bushes and scarecrow. The characters of this tale imply that Phoenix is a loving and admirable woman that may be just past her prime.
There are Always more Ships in the Sea....
("Eveline", Joyce)
"It was hard work- a hard life- but now that she was about to leave it she didn't find it a wholly undesirable life"
The initial synopsis of this story is a feeling of sorrow and sympathy towards Eveline. With a horrible past and unjust father, the lost chance to escape seems to be sorrowful and a completely unhappy ending. However, other aspects of the tale imply that Eveline wasn't ready to change, even though her situation was horrible. First and foremost the name Eveline means "uncertain, possibly desired" (source http://babynamesworld.parentsconnect.com) which reflects her overall uncertain nature. The quoted line above describes her constant battle over the issue of leaving: she desires to "explore the world with Frank" yet she holds a sense of pride for the household and children she cares for. This chance to run away with Frank simply isn't the best choice; it forces her to cut off her past completely and no matter how rough it is, it's just not possible. It's like going from a nightmare into a amazing dream, although the dream is breathtaking and wonderful, after time one would rather be awake in the real world rather than dreaming at all. The final scene doesn't mean that Eveline will be trapped forever; rather, she is simply not ready to move above her past. The ship or another ship will leave the harbor when she is ready.
"It was hard work- a hard life- but now that she was about to leave it she didn't find it a wholly undesirable life"
The initial synopsis of this story is a feeling of sorrow and sympathy towards Eveline. With a horrible past and unjust father, the lost chance to escape seems to be sorrowful and a completely unhappy ending. However, other aspects of the tale imply that Eveline wasn't ready to change, even though her situation was horrible. First and foremost the name Eveline means "uncertain, possibly desired" (source http://babynamesworld.parentsconnect.com) which reflects her overall uncertain nature. The quoted line above describes her constant battle over the issue of leaving: she desires to "explore the world with Frank" yet she holds a sense of pride for the household and children she cares for. This chance to run away with Frank simply isn't the best choice; it forces her to cut off her past completely and no matter how rough it is, it's just not possible. It's like going from a nightmare into a amazing dream, although the dream is breathtaking and wonderful, after time one would rather be awake in the real world rather than dreaming at all. The final scene doesn't mean that Eveline will be trapped forever; rather, she is simply not ready to move above her past. The ship or another ship will leave the harbor when she is ready.
Tuesday, November 9, 2010
It's All About Networking...
All three characterzation works of the Characterization Unit
One of the most important elements of every character is the study of their relationships with others. While these three stories are drastically different (as similar as quilting and lawyers are...) the relationships have been the center focus of the story. Within " Hunters in the Snow" and "Everyday Use" the center relationship defines the outcome of the tale. "Hunters in the Snow" reunites two former friends and unifies their actions with "Everyday Use" breaks the unjust balance of a power relationship and ends in justice. A few of the stories, especially "Bartleby the Scriverner", displays the harm of a lack of relationship as Bartleby walks all over the lawyer and causes him to not be able to act as a leader. Relationships define these stories.
Another common thread of these stories is the use of justice. From earning the ownership of quilts to having the unjust working relationship of Bartleby and the lawyer, justice gives these stories the needed suspense. In general stories centered on characterization have common themes of intense relationships and emotions.
One of the most important elements of every character is the study of their relationships with others. While these three stories are drastically different (as similar as quilting and lawyers are...) the relationships have been the center focus of the story. Within " Hunters in the Snow" and "Everyday Use" the center relationship defines the outcome of the tale. "Hunters in the Snow" reunites two former friends and unifies their actions with "Everyday Use" breaks the unjust balance of a power relationship and ends in justice. A few of the stories, especially "Bartleby the Scriverner", displays the harm of a lack of relationship as Bartleby walks all over the lawyer and causes him to not be able to act as a leader. Relationships define these stories.
Another common thread of these stories is the use of justice. From earning the ownership of quilts to having the unjust working relationship of Bartleby and the lawyer, justice gives these stories the needed suspense. In general stories centered on characterization have common themes of intense relationships and emotions.
Never Have a Friend Like Me...
("Everyday Use", Walker)
"Maggie by now was standing in the door. I could almost hear the sound her feet made as they scraped over each other. "she can have them, Mama," she said, like somebody used to never winning anything, or having anything reserved for her. "I can 'member Grandma Dee without the quilts"
What a tainted relationship, focused on power and materials. Perhaps Dee-Dee should be named Jafar, as in Jafar from Disney's Aladdin. Jafar is a selfish and power-seeking character, trampling anyone and anything is his path to be at the top. To complete the connection, the character of Aladdin would be filled by Maggie: a girl of a tortured past willing to give up material goods and simply hold on to memories and dreams. Dee-Dee and Maggie are foil characters displayed in their different passions, appearances, and care for others. The use of foil characters transcends the emotion felt in the given quote able and moves the sympathy towards Maggie. The final scenes of Aladdin mirror those of this tale: the defense-less and compassionate character, Maggie/Aladdin overcomes and drastically changes the future concerning the selfish being, Dee-Dee/Jafar. The tainted relationship is improved into a fair and just relationship based upon the implications of the foil characters and chosen diction.
"Maggie by now was standing in the door. I could almost hear the sound her feet made as they scraped over each other. "she can have them, Mama," she said, like somebody used to never winning anything, or having anything reserved for her. "I can 'member Grandma Dee without the quilts"
What a tainted relationship, focused on power and materials. Perhaps Dee-Dee should be named Jafar, as in Jafar from Disney's Aladdin. Jafar is a selfish and power-seeking character, trampling anyone and anything is his path to be at the top. To complete the connection, the character of Aladdin would be filled by Maggie: a girl of a tortured past willing to give up material goods and simply hold on to memories and dreams. Dee-Dee and Maggie are foil characters displayed in their different passions, appearances, and care for others. The use of foil characters transcends the emotion felt in the given quote able and moves the sympathy towards Maggie. The final scenes of Aladdin mirror those of this tale: the defense-less and compassionate character, Maggie/Aladdin overcomes and drastically changes the future concerning the selfish being, Dee-Dee/Jafar. The tainted relationship is improved into a fair and just relationship based upon the implications of the foil characters and chosen diction.
Oh My God they Killed Kenny!
("Hunters in the Snow", Tobias)
The characters of "Hunters in the Snow" do not seem to classify within the typical classifications of characters. Tub (A name reflecting his size..) appears to be a simple static character; he is the whiny large fellow at the butt of every joke. Frank and Kenny are the pair of best friends with a current third wheel. However as the story unfolds, these characters morph into new classifications. Both Tub and Frank lose the title of simple character. The plot reveals that Tub and Frank used to be the duo of the century; however, as Kenny gets in the way, this friendship is lost. The scene of the shooting and the drive seemingly towards the hospital transform this pair into group of round characters. Their friendship is restored; Tub reveals his eating obsession; Frank drools over the perky 15-year-old. Unfortunately Kenny does not make the jump to round-character status. In fact, he remains the symbol of the twisted relationships of this story (as normal as shooting "friends" is..) and is left in a painful and freezing state in the butt of the truck. He's a flat character lying flat on his back...
The characters of "Hunters in the Snow" do not seem to classify within the typical classifications of characters. Tub (A name reflecting his size..) appears to be a simple static character; he is the whiny large fellow at the butt of every joke. Frank and Kenny are the pair of best friends with a current third wheel. However as the story unfolds, these characters morph into new classifications. Both Tub and Frank lose the title of simple character. The plot reveals that Tub and Frank used to be the duo of the century; however, as Kenny gets in the way, this friendship is lost. The scene of the shooting and the drive seemingly towards the hospital transform this pair into group of round characters. Their friendship is restored; Tub reveals his eating obsession; Frank drools over the perky 15-year-old. Unfortunately Kenny does not make the jump to round-character status. In fact, he remains the symbol of the twisted relationships of this story (as normal as shooting "friends" is..) and is left in a painful and freezing state in the butt of the truck. He's a flat character lying flat on his back...
...They will not Control Us...
("Bartleby the Scrivener", Melville)
"I would prefer not to"
The workers of Wall Street, especially the lawyers and their employees, are ranked and judged by their working status. The character "Turkey" is described as a crazed aging man; however, the narrating lawyers overlooks these flaws solely because "Turkey" is a able to "accomplish a great deal of work in a style mot easy matched". Likewise, the young and impatient "Nippers" is treasured despite he young and foolish nature simply because he can work. Even the youngest "Ginger Nut" is most prized characteristic is not his character rather it's his ability to run errands. Bartleby challenges this whole system and causes chaos within the office. His generic and repetitive phrase "I would prefer not to" places a new prospective within the office: non response. None of the characters understand or respond well to the notion of not sucking up to the big cheese. Turkey wants to take a punch at him; Nippers desires to fire him; and the narrating lawyer can't seem to figure out a way to rid of him. As a result, the office is thrown to shambles and becomes a fortress for Bartleby to the point that they have to move out of the office. The notion of nonresponse and rebellion simply ruins to foundation of desire for a full-fledge success.
"I would prefer not to"
The workers of Wall Street, especially the lawyers and their employees, are ranked and judged by their working status. The character "Turkey" is described as a crazed aging man; however, the narrating lawyers overlooks these flaws solely because "Turkey" is a able to "accomplish a great deal of work in a style mot easy matched". Likewise, the young and impatient "Nippers" is treasured despite he young and foolish nature simply because he can work. Even the youngest "Ginger Nut" is most prized characteristic is not his character rather it's his ability to run errands. Bartleby challenges this whole system and causes chaos within the office. His generic and repetitive phrase "I would prefer not to" places a new prospective within the office: non response. None of the characters understand or respond well to the notion of not sucking up to the big cheese. Turkey wants to take a punch at him; Nippers desires to fire him; and the narrating lawyer can't seem to figure out a way to rid of him. As a result, the office is thrown to shambles and becomes a fortress for Bartleby to the point that they have to move out of the office. The notion of nonresponse and rebellion simply ruins to foundation of desire for a full-fledge success.
Tuesday, November 2, 2010
More Beneath the Surface...
(All of the Works)
How I Met My Husband, A Rose for Emily, and Interpreter of Maladies have a few themes in common. First and foremost, each of the stories concern lost love whether it be keeping a dead sweetheart around or making a cot visit. None of the stories hold a simply romantic endings; but, because these stories contain lost love large values and themes are exposed. In How I Met My Husband the young girl moves past the broken fiancee and finds a future in the mailman. A Rose for Emily shows the impact of southern lifestyle and the negative effect of her father's strict judgement. And finally, Interpreter of Maladies reveals the wrong of Mrs. Das' situation and calls for the questioning of the future and happiness. Additionally all of the stories reflect on the past or future rather than the present. Even the present cab ride of Interpreter of Maladies mixes past emotions and the questioning of the future rather than the current events. All of the pieces work to make a bigger impact given in the situations.
How I Met My Husband, A Rose for Emily, and Interpreter of Maladies have a few themes in common. First and foremost, each of the stories concern lost love whether it be keeping a dead sweetheart around or making a cot visit. None of the stories hold a simply romantic endings; but, because these stories contain lost love large values and themes are exposed. In How I Met My Husband the young girl moves past the broken fiancee and finds a future in the mailman. A Rose for Emily shows the impact of southern lifestyle and the negative effect of her father's strict judgement. And finally, Interpreter of Maladies reveals the wrong of Mrs. Das' situation and calls for the questioning of the future and happiness. Additionally all of the stories reflect on the past or future rather than the present. Even the present cab ride of Interpreter of Maladies mixes past emotions and the questioning of the future rather than the current events. All of the pieces work to make a bigger impact given in the situations.
And Filling it Up with a Little Bit More of Innocence...
(How I Met my Husband, Munro)
One of the major themes of this piece is the affects of childish innocence. The scene following Edie's tent visit displays an excellent source of innocence. The meaning and impact of what Edie and Chris shared is blown out of proportion as the olderwomen precieve that they shared more than just a kiss. As a result of Edie lacking knowledge of her actions, her status and title are disgraced and she is judged by all of the women. Lack of knowledge in young girls can cause far more damage than an misinturpruted kiss. The story of Atonement revolves around the impact of a young girl who causes great damage due to her innocence. This child causes the disconnection and end of her sister and her sister's love. This sad tale simply magnifys the impact of acting without proper knowledge. The following clip is the trailer for the movie Atonement.
When you're alone....
(A Rose for Emily, Faulkner)
The setting and background of this story work to justify the actions of the story. The tale begins in media res, after the death of Emily, and backtracks to the past. Interest is created in the funeral scene; however, the bulk of entertainment comes from the described life of Emily. The setting plays an important aspect of the tale. Because the story is set in the traditional south, the abundance of pride and respect for Emily and other elders causes the freedom needed for Emily to become a twisted and mentally sick woman. The southern lifestyle forbid forced interaction as the town allowed Emily to forgo taxes and cause a reeking aura upon the house. This setting along with the given harsh background of Emily foreshadows the preserved death of her sweetheart; her father ruined her chances of other love resulting in her fear of losing her sweetheart. This story seems to not only display the wrong of the situation but also display the impact of parents and lifestyle upon lonely and wild people.
The setting and background of this story work to justify the actions of the story. The tale begins in media res, after the death of Emily, and backtracks to the past. Interest is created in the funeral scene; however, the bulk of entertainment comes from the described life of Emily. The setting plays an important aspect of the tale. Because the story is set in the traditional south, the abundance of pride and respect for Emily and other elders causes the freedom needed for Emily to become a twisted and mentally sick woman. The southern lifestyle forbid forced interaction as the town allowed Emily to forgo taxes and cause a reeking aura upon the house. This setting along with the given harsh background of Emily foreshadows the preserved death of her sweetheart; her father ruined her chances of other love resulting in her fear of losing her sweetheart. This story seems to not only display the wrong of the situation but also display the impact of parents and lifestyle upon lonely and wild people.
Flavors of Characters
(Interpreter of Maladies, Lahiri)
This story contains many types of characters represented in this story. Mr Das is a static character; he never diverges from his guidebook. He remains oblivious (or acts oblivious) to his wife's lack of compassion and family and never develops past his obnoxious and prideful state. In contrast, Mr. Kapasi is a dynamic character and undergoes much change within the story. He transforms from a lifeless and mundane interpreter to dreaming of being a lover and questioning his lifestyle. These two characters are foil characters. Mr. Kapasi receives Mrs Das' care unlike Mr Das in addition to the various culture and lifestyle differences. These characters do have something in common: attention for Mrs Das, a nice round character. Mrs. Das displays many characteristics throughout the story: selfish, zoned-out, soul-gushing, amused by family, compassionate to bastard son, and reserved. The various types of characters in this story create a story of realistic ideas and relate to the theme of unhappiness and dreaming of the future.
This story contains many types of characters represented in this story. Mr Das is a static character; he never diverges from his guidebook. He remains oblivious (or acts oblivious) to his wife's lack of compassion and family and never develops past his obnoxious and prideful state. In contrast, Mr. Kapasi is a dynamic character and undergoes much change within the story. He transforms from a lifeless and mundane interpreter to dreaming of being a lover and questioning his lifestyle. These two characters are foil characters. Mr. Kapasi receives Mrs Das' care unlike Mr Das in addition to the various culture and lifestyle differences. These characters do have something in common: attention for Mrs Das, a nice round character. Mrs. Das displays many characteristics throughout the story: selfish, zoned-out, soul-gushing, amused by family, compassionate to bastard son, and reserved. The various types of characters in this story create a story of realistic ideas and relate to the theme of unhappiness and dreaming of the future.
Thursday, October 7, 2010
...I Wanna Hold Your Hand..
("Do Not Go Gentle into that Good Night", Thomas)
Honestly I first reaction I had with this poem was a connection to the latest Glee episode. Call me a geek for referencing to English class or a gleek for watching the show, but the two medias are quite similar. The following clip is a song sung by a grief-struck son who simply doesn't want to lose his father who is sick in the hospital. He wants to return to a time of comfort and ease, displayed in the song "I Wanna Hold your Hand" a cover of the Beatle original.
Both the poem and the video clip express a similar emotion: to fight death and to find comfort here on Earth. Both hold tones of anguish and sadness and describe their fathers with honor and love. The poem also captures feelings of confusion and pain shown through the many paradoxes, as the son wishes for the saving of his father. These examples of family love and bond are remarkable. All children should be thankful for what parents they have and strive to maintain good relationships with their parents, who in turn should show support and love to their children.
But Now the Days Grow Short....
("That Time of Year", Shakespeare)
This poor speaker has reached/is nearing "the autumn of the year", meaning they are growing old. They certainly lack the positive attitude of Frank Sinatra:
But now the days grow short, I'm in the autumn of the year. And now I think of my life as vintage wine from fine old kegs from the brim to the dregs, and it poured sweet and clear; it was a very good year" ("It was a Very Good Year").
Rather this speaker seems to be fearing the "end of autumn" as much as a night terror. This is displayed through the negative imagery such as the "bare ruined choirs" and "black night" and "deathbed whereon it must expire". The end is in wight for this speaker, and rather than joyfully reflect on their life, they desire to blindly turn away. This speaker wants to look away from the past and future and desires to be nourished and consumed by present love. The tone is urgent and reflects the strength of love through the toils of time. This fear feeds into the strength of love.
This poor speaker has reached/is nearing "the autumn of the year", meaning they are growing old. They certainly lack the positive attitude of Frank Sinatra:
But now the days grow short, I'm in the autumn of the year. And now I think of my life as vintage wine from fine old kegs from the brim to the dregs, and it poured sweet and clear; it was a very good year" ("It was a Very Good Year").
Rather this speaker seems to be fearing the "end of autumn" as much as a night terror. This is displayed through the negative imagery such as the "bare ruined choirs" and "black night" and "deathbed whereon it must expire". The end is in wight for this speaker, and rather than joyfully reflect on their life, they desire to blindly turn away. This speaker wants to look away from the past and future and desires to be nourished and consumed by present love. The tone is urgent and reflects the strength of love through the toils of time. This fear feeds into the strength of love.
..Hey Stupid, that Ain't News No More...
("Lovely Hearts", Cope)
"Can someone make my simple wish come true?"
This entire poem is centered on the irony of this phrase at the end of every line. Each stanza brings a new desperate seeker of love. All of the characters yearn for life's simple call of love, yet they all reject fate and try to create the perfect match rather then find the perfect match. These characters all have similar characteristic of fear and laziness despite their different sexual orientations and backgrounds. The chance of finding these specific lovers is slim, even with an ironic new paper ad. This poem reflects the natural instinct to hope that issues and desires will just appear without much work. This laziness and lack of confidence plagues our world, and has ruined the concept of love. Love is not meant to be given to us through a newspaper, rather love is to discovered by sharing a newspaper.
"Can someone make my simple wish come true?"
This entire poem is centered on the irony of this phrase at the end of every line. Each stanza brings a new desperate seeker of love. All of the characters yearn for life's simple call of love, yet they all reject fate and try to create the perfect match rather then find the perfect match. These characters all have similar characteristic of fear and laziness despite their different sexual orientations and backgrounds. The chance of finding these specific lovers is slim, even with an ironic new paper ad. This poem reflects the natural instinct to hope that issues and desires will just appear without much work. This laziness and lack of confidence plagues our world, and has ruined the concept of love. Love is not meant to be given to us through a newspaper, rather love is to discovered by sharing a newspaper.
I'm Gonna Live till I die
("Death, be not proud", Donne)
Death is personified multiple times within this poem; it's described proud, a slave, and even a victim of death. This personification serves two purpose, the first being to exaggerate the role of death. The poem tries to decrease the effects of death and instead tries to focus on the life after death. This "short sleep" is rejected; it seems kinda like an awful ad between two excellent shows, pointless and thankfully short. The second motivation to personify death is to have a source to blame for the sadness and bitter feelings of death. Mr. Costello are you even reading this? The kings, war, desperate men, or sickness are not to blame; rather death is a pride-seeking being causes the negative imagery with death. The speaker calls for more pleasure from death, for even "our best men with thee will go". This poem desires a death of death; a world free of the fear and horror of dying.
Death is personified multiple times within this poem; it's described proud, a slave, and even a victim of death. This personification serves two purpose, the first being to exaggerate the role of death. The poem tries to decrease the effects of death and instead tries to focus on the life after death. This "short sleep" is rejected; it seems kinda like an awful ad between two excellent shows, pointless and thankfully short. The second motivation to personify death is to have a source to blame for the sadness and bitter feelings of death. Mr. Costello are you even reading this? The kings, war, desperate men, or sickness are not to blame; rather death is a pride-seeking being causes the negative imagery with death. The speaker calls for more pleasure from death, for even "our best men with thee will go". This poem desires a death of death; a world free of the fear and horror of dying.
Wednesday, September 29, 2010
You Don't Send Me Flowers Anymore...
("Getting Out", Mathis)
Upon reading this poem, the song "You Don't Send Me Flowers Anymore" sung by Neil Diamond and Barbara Steisand seemed to play in the background. It can be found at the following link. It's a beautiful duet reflecting a couple that has fallen out of love. Conveniently this poem is about the same topic; this couple hasn't had a tragic event or issue, rather they have simply grown out of their relationship. They keep running through the motions and continue to feel more and more suffocated. This is best reflected by the detail of the "heaving words like furniture". However, their love is not gone shown in their confusion of night activities and peaceful and sad ending. If this was a nasty breakup, their wouldn't have been tears of sadness or embrace at the end.
Upon reading this poem, the song "You Don't Send Me Flowers Anymore" sung by Neil Diamond and Barbara Steisand seemed to play in the background. It can be found at the following link. It's a beautiful duet reflecting a couple that has fallen out of love. Conveniently this poem is about the same topic; this couple hasn't had a tragic event or issue, rather they have simply grown out of their relationship. They keep running through the motions and continue to feel more and more suffocated. This is best reflected by the detail of the "heaving words like furniture". However, their love is not gone shown in their confusion of night activities and peaceful and sad ending. If this was a nasty breakup, their wouldn't have been tears of sadness or embrace at the end.
Once Upon A Time...
("The Oxen", Hardy)
The aura of tradition and storytelling fuel this poem; there is a strong sense of memories and family. This poem reflects the statement that no matter the tradition, communities will draw together to grow and reflect together. This example of oxen-kneeling is clearly special to the group; it's a annual story that has lasted for many years shown through the elders. No matter if this was a religious or superstitious tradition, it's a staple of the holiday. The values of family and community are the core of the Christmas season, but today's world has seemed to have lost those values. Thankfully groups such as these still hold activities that capture the importance of community. Perhaps the focus of the poem shouldn't be the oxen, rather the feeling of family and fellowship should be further broad-casted into the poem. For, what's more odd in today's society, a close family or a kneeling oxen?
The aura of tradition and storytelling fuel this poem; there is a strong sense of memories and family. This poem reflects the statement that no matter the tradition, communities will draw together to grow and reflect together. This example of oxen-kneeling is clearly special to the group; it's a annual story that has lasted for many years shown through the elders. No matter if this was a religious or superstitious tradition, it's a staple of the holiday. The values of family and community are the core of the Christmas season, but today's world has seemed to have lost those values. Thankfully groups such as these still hold activities that capture the importance of community. Perhaps the focus of the poem shouldn't be the oxen, rather the feeling of family and fellowship should be further broad-casted into the poem. For, what's more odd in today's society, a close family or a kneeling oxen?
Let Us Come, to the Water,,,,
("Crossing the Bar", Tennyson)
This entire poem uses symbols to describe death and the afterlife. The "bar" serves as the purgatory; it's not quite into the ocean yet it's not on the shore. The "deep end" serves as hell: dark, airless, unknown, and suffocating. The "Pilot" is the God-figure, bring comfort out of the ocean and an offer of escape from the bar. The scene takes place in the evening, usually interpreted as the end of one's life or growing old. With these symbols, the piece works to describe a peaceful, humble, and quiet death. The speaker seems to want to just pass away without being noticed or cried over. It's a self-less desire fueled by the hope and knowledge of the afterlife. The poem gives one of the best images of death represented by symbols of the ocean.
This entire poem uses symbols to describe death and the afterlife. The "bar" serves as the purgatory; it's not quite into the ocean yet it's not on the shore. The "deep end" serves as hell: dark, airless, unknown, and suffocating. The "Pilot" is the God-figure, bring comfort out of the ocean and an offer of escape from the bar. The scene takes place in the evening, usually interpreted as the end of one's life or growing old. With these symbols, the piece works to describe a peaceful, humble, and quiet death. The speaker seems to want to just pass away without being noticed or cried over. It's a self-less desire fueled by the hope and knowledge of the afterlife. The poem gives one of the best images of death represented by symbols of the ocean.
You're the Reason our Kids are Ugly...
("My Mistress' Eyes, Shakespeare)
Without reading the last few lines, this poem seems to be the ultimate put-down of a relationship. The speaker is blasting insults left and right; '' music hath far more pleasing sound" "in that breath that from my mistress reeks". He seems like a jerk, who doesn't deserve ANY girl. However, he saves himself with his honest and true love in the last few lines. The central theme of this poem was to profess realistic and true love by making a satire of stereotypical love poems. Such love seems far more romantic rather than the lustful and physical draws of beauty. Still, I think that the speaker should have had at least one compliment for his lady; relationships are about finding the best in each other rather than treating each other as ordinary people. One doesn't have to exaggerate to portray beauty and care.
Without reading the last few lines, this poem seems to be the ultimate put-down of a relationship. The speaker is blasting insults left and right; '' music hath far more pleasing sound" "in that breath that from my mistress reeks". He seems like a jerk, who doesn't deserve ANY girl. However, he saves himself with his honest and true love in the last few lines. The central theme of this poem was to profess realistic and true love by making a satire of stereotypical love poems. Such love seems far more romantic rather than the lustful and physical draws of beauty. Still, I think that the speaker should have had at least one compliment for his lady; relationships are about finding the best in each other rather than treating each other as ordinary people. One doesn't have to exaggerate to portray beauty and care.
Wednesday, September 22, 2010
I Wish. More than Anything. More than Life
("Ozymandias", Shelley)
Materialism is a mocking theme in this piece. Tyrant Ozymandias is defined by his decaying and ruined building which stands out of place in the middle of the desert. The speaker reflects on Ozymandias' reign as a joke by critiquing his methods of demanding power and wealth shown in the quote: "My name is Ozymandias, king of kings, look at my works, ye Mighty, and despair!". The current crumbling state of the works ironically shows the lack of worth found in materials. Ozymandias did not last, his people did not last, the speaker will not last; humans will die and hopefully leave this world and only materials will be left behind. Who needs to flaunt and demand materials if they will only be lost after death. The speaker displays the fate of such extensive materials: to be a laughing stock for the generations to come.
Materialism is a mocking theme in this piece. Tyrant Ozymandias is defined by his decaying and ruined building which stands out of place in the middle of the desert. The speaker reflects on Ozymandias' reign as a joke by critiquing his methods of demanding power and wealth shown in the quote: "My name is Ozymandias, king of kings, look at my works, ye Mighty, and despair!". The current crumbling state of the works ironically shows the lack of worth found in materials. Ozymandias did not last, his people did not last, the speaker will not last; humans will die and hopefully leave this world and only materials will be left behind. Who needs to flaunt and demand materials if they will only be lost after death. The speaker displays the fate of such extensive materials: to be a laughing stock for the generations to come.
Get the 64 Crayon Box
("Mr. Z", Holman)
This poem is full of allusions and diction that helps define "Mr. Z". The name of the character is raceless: the goal of the character. The speaker seems to pity the poor guy, explaining his past of trying to live above race/religion results in a present and future of being defined by race/religion. The references to jazz music, spirituals, and Anglo-Saxonized imply that his mother and back ground was black. Within the second stanza, the character is revealed as Jewish through the explanation of his diet of no pork and other Jewish customs. He tries to escape race through marriage and location and works to success. Unfortunately he falls victim to his race/religion, and is recognized as a "distinguished member" to a race he rejected.
It is human nature to judge by race or religion, and no matter what, such judgement will always play a part of how one is seen by others. Since these judgements will never be rejected, it is important to embrace one's culture and background and try to find the best in other religions and cultures. The issue is not to rid of differences or culture, rather the issue is to rid of negative and rude judgement towards another race. We cannot be raceless, but embracing and accepting are achievable customs.
This poem is full of allusions and diction that helps define "Mr. Z". The name of the character is raceless: the goal of the character. The speaker seems to pity the poor guy, explaining his past of trying to live above race/religion results in a present and future of being defined by race/religion. The references to jazz music, spirituals, and Anglo-Saxonized imply that his mother and back ground was black. Within the second stanza, the character is revealed as Jewish through the explanation of his diet of no pork and other Jewish customs. He tries to escape race through marriage and location and works to success. Unfortunately he falls victim to his race/religion, and is recognized as a "distinguished member" to a race he rejected.
It is human nature to judge by race or religion, and no matter what, such judgement will always play a part of how one is seen by others. Since these judgements will never be rejected, it is important to embrace one's culture and background and try to find the best in other religions and cultures. The issue is not to rid of differences or culture, rather the issue is to rid of negative and rude judgement towards another race. We cannot be raceless, but embracing and accepting are achievable customs.
Under Things...Tumbling
("Sorting Laundry", Ritchie)
The central idea of this enjoyable poem is to represent the tendency to glorify everyday tasks by adding a significant other. Almost every task is more pleasant if another close person is added; dishes and cooking are seen as a fairly romantic date although these task are rejected otherwise. This speaker seems to fantasying about the lovely everyday life ahead with a loved one. The laundry is used to describe the desired "hungry" bedsheets, many dreams, vacation, everyday actions, changing future, remembering the past, surprises, and treasures. This poem also clarifies the need of "the other half" to fill the voids, otherwise laundry returns to being just laundry. This poem captures the necessity of living a life of love and joy, otherwise life is just mundane tasks. It is important to cherish loved ones and the blessings of life, because the "empty side of the bed" can occur at anytime. Life is more than reaching the end.
The central idea of this enjoyable poem is to represent the tendency to glorify everyday tasks by adding a significant other. Almost every task is more pleasant if another close person is added; dishes and cooking are seen as a fairly romantic date although these task are rejected otherwise. This speaker seems to fantasying about the lovely everyday life ahead with a loved one. The laundry is used to describe the desired "hungry" bedsheets, many dreams, vacation, everyday actions, changing future, remembering the past, surprises, and treasures. This poem also clarifies the need of "the other half" to fill the voids, otherwise laundry returns to being just laundry. This poem captures the necessity of living a life of love and joy, otherwise life is just mundane tasks. It is important to cherish loved ones and the blessings of life, because the "empty side of the bed" can occur at anytime. Life is more than reaching the end.
Belting the News..
("Barbie Doll", Piercy)
"Her good nature wore out like a fan belt."
This entire poem is centered on the repulsing image of women society holds: perfect, plastic, doll-like creatures. The speaker over exaggerates the procedures and teasing in order to display the injustice, but the affects are quite realistic. Judgement and lack of self-worth lead to being tired and even conformity. This ideal is best represented with the use of the simile comparing the girl to a fan belt. A fan belt, for those who don't know, is a circular strip of material used between two gears; it is vital to maintain the machine and is worn down to the point of breaking after sometime. Although the speaker dramatizes the causes, the effect upon the girl are true. Like the fan belt, she is constantly tested and worn down as she battles the crude judgement placed upon her. At the end, she breaks and "dies" and conforms to society. Her reliable fan belt is gone, replaced with a fickle and superficial fashion belt.
"Her good nature wore out like a fan belt."
This entire poem is centered on the repulsing image of women society holds: perfect, plastic, doll-like creatures. The speaker over exaggerates the procedures and teasing in order to display the injustice, but the affects are quite realistic. Judgement and lack of self-worth lead to being tired and even conformity. This ideal is best represented with the use of the simile comparing the girl to a fan belt. A fan belt, for those who don't know, is a circular strip of material used between two gears; it is vital to maintain the machine and is worn down to the point of breaking after sometime. Although the speaker dramatizes the causes, the effect upon the girl are true. Like the fan belt, she is constantly tested and worn down as she battles the crude judgement placed upon her. At the end, she breaks and "dies" and conforms to society. Her reliable fan belt is gone, replaced with a fickle and superficial fashion belt.
Thursday, September 16, 2010
It Takes Two to Tango.
("February", Atwood)
"Get rid of death. Celebrate increase. Make it be spring."
Everyone can relate to this poem at some point or another, from the desire to lounge in bed to the feeling of despair at Valentines Day. This poem captures many realistic feelings, not hiding feelings of rejection or dimming language. The most inspiring message is found at the end of the poem, when the speaker vows to move on and above the comforts of themselves. It gives the perception that happiness and joy must be worked for, even in February "the month of despair". To dwell on the lack of relationship or failure of past relationships will do no good. It is disheartening to see people feel disgust and anger towards couples on such a day; let the couples have their day, their week, their life. One should ether reject relationships altogether or work towards the formation of a relationship, it is rude to blame couples for their contentment and happiness. Work to improve the situation rather than sulk in it; "so get going on a little optimism around here".
"Get rid of death. Celebrate increase. Make it be spring."
Everyone can relate to this poem at some point or another, from the desire to lounge in bed to the feeling of despair at Valentines Day. This poem captures many realistic feelings, not hiding feelings of rejection or dimming language. The most inspiring message is found at the end of the poem, when the speaker vows to move on and above the comforts of themselves. It gives the perception that happiness and joy must be worked for, even in February "the month of despair". To dwell on the lack of relationship or failure of past relationships will do no good. It is disheartening to see people feel disgust and anger towards couples on such a day; let the couples have their day, their week, their life. One should ether reject relationships altogether or work towards the formation of a relationship, it is rude to blame couples for their contentment and happiness. Work to improve the situation rather than sulk in it; "so get going on a little optimism around here".
The Need to Express, To Communicate...
("A Dream Deferred", Hughes)
First and foremost, the inital connection of this poem can be found in the author Langston Hughes, who's name appears in the song "Le Vie Boheme" in the production of Rent. The aura of the song is a celebration and representation of many different radical ideas, people, and issues within the past few decades. Like the poem, each of these issues such as homosexual rights, drugs, and civil rights call and dream for a better future. This poem captures the pain, failure, avoidance, and work of a dream and eventually questions the worth of the dream. It's a part of the process of any difficult goal, a questioning of worth and need. While the main dream associated with this poem is Civil Rights, this feeling is present in almost any situation. The main message that should be recieved from this work is the preserverace to push ahead, and to resist "exploding" the dream or act in violence. One should instead connect to the aura of "Le Viee Boheme" and celebrate the acomplished work and show pride towards
First and foremost, the inital connection of this poem can be found in the author Langston Hughes, who's name appears in the song "Le Vie Boheme" in the production of Rent. The aura of the song is a celebration and representation of many different radical ideas, people, and issues within the past few decades. Like the poem, each of these issues such as homosexual rights, drugs, and civil rights call and dream for a better future. This poem captures the pain, failure, avoidance, and work of a dream and eventually questions the worth of the dream. It's a part of the process of any difficult goal, a questioning of worth and need. While the main dream associated with this poem is Civil Rights, this feeling is present in almost any situation. The main message that should be recieved from this work is the preserverace to push ahead, and to resist "exploding" the dream or act in violence. One should instead connect to the aura of "Le Viee Boheme" and celebrate the acomplished work and show pride towards
And the World Will Know...
Toads", Philip Larkin)
This poem represents a pinnacle of frustration and injustice. The speaker quickly establishes his fury with the many different groups of society. He wishes to escape the "toad work" of simple jobs and under appreciated labor, wanting to "use wit as a pitchfork and drive the brute off". This poor fellow is underpaid and simply can't flee the curses of labor, thus he turns to whining about those who "live off wits", never starving or receiving consequence. The overall tone of the piece is the bitter frustration of the hardworking over the jerks that somehow slip by. He also seems to attack those who are given everything due to wealth and family. (Which is quite relatable.) The piece also explains the unspoken barrier of silence the respectable hardworking class have against the "losels, loblolly-men, and louts". This pieces reeks of the injustice towards the working class, and with the diction and rude judgment towards the free-loaders, a tone of frustration and complaining is created.
Wednesday, September 15, 2010
Nature's Sweet Nectar
("I Taste A Liquor never Brewed", Dickinson)
The speaker of this poem is not attempting to justify drinking, drunks, or "tankards". Once the reader has sifted through the vocabulary concerning drinking, the purpose of the poem becomes revealed. The central ideal of the poem is to create the image of intoxicating nature. The diction and imagery fit this description. The "Debauchee (person addicted to excessive indulgence in sensual pleasures) of Dew" and "Reeling, endless summer days" capture fields and meadows rather than bars and tailgates. The last stanza describes to seraphs (angels of the highest order) and saints watching the happy "Tipper" go about their day. Perhaps these angels represent those distant from nature, behind windows and snowy caps, who think they know better than the drunk and better than everyone. It would be best for these poor individuals to join the happy drunk outside.
The speaker of this poem is not attempting to justify drinking, drunks, or "tankards". Once the reader has sifted through the vocabulary concerning drinking, the purpose of the poem becomes revealed. The central ideal of the poem is to create the image of intoxicating nature. The diction and imagery fit this description. The "Debauchee (person addicted to excessive indulgence in sensual pleasures) of Dew" and "Reeling, endless summer days" capture fields and meadows rather than bars and tailgates. The last stanza describes to seraphs (angels of the highest order) and saints watching the happy "Tipper" go about their day. Perhaps these angels represent those distant from nature, behind windows and snowy caps, who think they know better than the drunk and better than everyone. It would be best for these poor individuals to join the happy drunk outside.
You are My Lucky Star...
("Bright Star", Keats)
Throughout this poem, the speaker is addressing in apostrophe. The object of attention is "found in the stars" as the hopelessly-in-love speaker dwells over his lover. The purpose of an apostrophe is to reveal the internal thoughts of the speaker, which is shown in this display of yearning and desire.
The speaker uses the stars to explain his specific desires. He wishes to remain frozen in the current moment with his love, forever shining and constant. He is completely dazed by this relationship, willing to die rather than go without it. This feeling is captured in the song "You are my Lucky Star" from the classic romantic movie Singing in the Rain. The distance in between him and the stars seems to support his mood of longing and proclamation, giving the "shout it from the mountains" feel. Unfortunately, the world will go on; the speaker will have to become the stars he is speaking to and change.
Throughout this poem, the speaker is addressing in apostrophe. The object of attention is "found in the stars" as the hopelessly-in-love speaker dwells over his lover. The purpose of an apostrophe is to reveal the internal thoughts of the speaker, which is shown in this display of yearning and desire.
The speaker uses the stars to explain his specific desires. He wishes to remain frozen in the current moment with his love, forever shining and constant. He is completely dazed by this relationship, willing to die rather than go without it. This feeling is captured in the song "You are my Lucky Star" from the classic romantic movie Singing in the Rain. The distance in between him and the stars seems to support his mood of longing and proclamation, giving the "shout it from the mountains" feel. Unfortunately, the world will go on; the speaker will have to become the stars he is speaking to and change.
Thursday, September 9, 2010
A Foggy Day...
("London", Blake)
While reading this poem, I was only capable to compare it to the Michael Buble's cover " A Foggy Day", a song set in London. The lyrics are simple, but hold some resemblance to this intelligent poem:
While reading this poem, I was only capable to compare it to the Michael Buble's cover " A Foggy Day", a song set in London. The lyrics are simple, but hold some resemblance to this intelligent poem:
A foggy day, in London Town.
Had me low, had me down.
I viewed the morning with such alarm.
British museum had lost its charm.
I long, I wonder, could this thing last?
But the age of miracles hadn't past,
For suddenly I saw you there,
And through foggy London town, the sun was shining everywhere.
This song and this poem are set and focused on the structured and tiresome aura of London. Although orderly and tidy, the place is filled with fear and and weakness. I interrupted Blake's poem as a voice of concern when London had its rocky history of having no heir to the throne (ie: that whole Kine Henry the VIII thing...), given the details of "blood down the palace walls" and "plagues the Marriage hearse". The entire issue seems to cloud, or fog if you will, over London. All charm was lost, as the Church lost it's values and soldiers transformed into protection for solely the King. However, this history and sadness of London captured by Blake is lost and the country became more stable (or the sun shined in hope as King Henry found another wife...).
We are Family?
("Those Winter Sundays", Hayden)
This entire poem seems to be trying to win sympathy for the father. The first stanza reflects his "cracked hands" laboring in the "blueblack cold". It is clearly evident that the father works tirelessly to provide for his family, giving them warmth and "good polished shoes", and the work bluntly states that the fellow never receives thanks. The speaker seems to be reflecting on the necessary pity for his father, and the grief he should feel for not being grateful for his father. However, the speaker does not reveal that he has or ever will share his thanks. While his father provided some basics for him, the tone of the poem reveals that the father didn't provide a loving relationship. The poem describes the past sour relationship with its "chronic anger" and "speaking indifferently" that ruined the speaker's image of family and love. The speaker should be receiving the sympathy, not the father. The speaker's past was ruined by his father and home life and now he lives a life in "lonely offices" not knowing of the work required to love.
This entire poem seems to be trying to win sympathy for the father. The first stanza reflects his "cracked hands" laboring in the "blueblack cold". It is clearly evident that the father works tirelessly to provide for his family, giving them warmth and "good polished shoes", and the work bluntly states that the fellow never receives thanks. The speaker seems to be reflecting on the necessary pity for his father, and the grief he should feel for not being grateful for his father. However, the speaker does not reveal that he has or ever will share his thanks. While his father provided some basics for him, the tone of the poem reveals that the father didn't provide a loving relationship. The poem describes the past sour relationship with its "chronic anger" and "speaking indifferently" that ruined the speaker's image of family and love. The speaker should be receiving the sympathy, not the father. The speaker's past was ruined by his father and home life and now he lives a life in "lonely offices" not knowing of the work required to love.
Wednesday, September 8, 2010
Stoop and Feel It, Stop..and Hear It
("I Felt a Funeral, in my Brain", Dickinson)
This description of a funeral/mental breakdown/mindless work/ death of spirit/ other interruptions, places heavy emphasis on the senses. Sight is required in the details of the treading mourners, lifting of the Box, the dropping being. The ability to hear is required to experience almost all of the poem, from the drum to the creak of the box, to the heaven bell, to the silence. Hearing is the focus of the poem, perhaps to best capture the feeling of being trapped by silence or lack of compassionate listeners. The eerie silence of death is interrupted by the loud drums and bells, further supporting a theme of feeling like an outcast. The one sense that is purposely not described is the sense of touch. Instead of touching the box or soul, the reader has to use other senses to experience this. The lack of feeling and touch helps strengthen the feeling of a funeral and being numb. Additionally, the theme of being an outcast is reflected in this untouchable aura. The senses bring this poem to life and capture its feeling.
This description of a funeral/mental breakdown/mindless work/ death of spirit/ other interruptions, places heavy emphasis on the senses. Sight is required in the details of the treading mourners, lifting of the Box, the dropping being. The ability to hear is required to experience almost all of the poem, from the drum to the creak of the box, to the heaven bell, to the silence. Hearing is the focus of the poem, perhaps to best capture the feeling of being trapped by silence or lack of compassionate listeners. The eerie silence of death is interrupted by the loud drums and bells, further supporting a theme of feeling like an outcast. The one sense that is purposely not described is the sense of touch. Instead of touching the box or soul, the reader has to use other senses to experience this. The lack of feeling and touch helps strengthen the feeling of a funeral and being numb. Additionally, the theme of being an outcast is reflected in this untouchable aura. The senses bring this poem to life and capture its feeling.
Love for a Child...
("Spring", Hopkins)
From beginning to end, the diction chosen for this poem add an aura of class and ambiance. The center of the work is to describe the beauty of spring and innocence of life. Starting with "thrush egg's" instead of bird eggs and "echoing timber" to describe the awakened forest, the reader is bought into the enchantment of the piece. The overly perfect images of "glassy peartree leaves and blooms" and "racing lambs" intensify the ideal that spring is a new innocent beginning.
In the second half of the work, when the focus turns to the tarnishing of innocence and world outside of spring, the diction transforms into more negative diction. Phrases such as "sour with sin" and "before it cloys" (which means to grow to have distaste after an overabundance) convey the evil of the world. The "innocent mind and Mayday in girl and boy" is soon lost, almost as quickly as the season changes. Overall the diction of this work exaggerates the themes of the poem in order to bring attention to the themes of the loss of innocence and the joys of spring.
From beginning to end, the diction chosen for this poem add an aura of class and ambiance. The center of the work is to describe the beauty of spring and innocence of life. Starting with "thrush egg's" instead of bird eggs and "echoing timber" to describe the awakened forest, the reader is bought into the enchantment of the piece. The overly perfect images of "glassy peartree leaves and blooms" and "racing lambs" intensify the ideal that spring is a new innocent beginning.
In the second half of the work, when the focus turns to the tarnishing of innocence and world outside of spring, the diction transforms into more negative diction. Phrases such as "sour with sin" and "before it cloys" (which means to grow to have distaste after an overabundance) convey the evil of the world. The "innocent mind and Mayday in girl and boy" is soon lost, almost as quickly as the season changes. Overall the diction of this work exaggerates the themes of the poem in order to bring attention to the themes of the loss of innocence and the joys of spring.
An Apple a Day....
("After Apple-Picking", Frost)
This lovely poem reeks of one central tone: growing old and tired. Throughout the entire work, the speaker discusses his long life, now drawing its strung-out ending; this is best displayed by the quote: "Of apple picking I am overtired, of the great harvest I myself desired". This exhausted person isn't only tired of apple picking; many of the objects in this poem seem to represent not only apple picking, but also life in general. The ladder works as a symbol of life's journey, contributing to the tone by placing focus on the hardship and end of the ladder. The ladder "sticking through a tree toward heaven still" is one of the worker's greatest tools providing a "constant pressure of the ladder-round" and a chance to touch the "ten thousand thousand fruit"; the ladder reflects the tone by representing life's path with may hardships and opportunities. This tone is further revealed in the desire to sleep of the woodchuck, in a deep peaceful slumber, and the lure of sleep throughout the piece. This poor worker simply wants to "reach the winter" and finish their hard yet fulfilling life, expressed in the abundant diction, imagery, and voice. This poem almost adds years to the readers...
This lovely poem reeks of one central tone: growing old and tired. Throughout the entire work, the speaker discusses his long life, now drawing its strung-out ending; this is best displayed by the quote: "Of apple picking I am overtired, of the great harvest I myself desired". This exhausted person isn't only tired of apple picking; many of the objects in this poem seem to represent not only apple picking, but also life in general. The ladder works as a symbol of life's journey, contributing to the tone by placing focus on the hardship and end of the ladder. The ladder "sticking through a tree toward heaven still" is one of the worker's greatest tools providing a "constant pressure of the ladder-round" and a chance to touch the "ten thousand thousand fruit"; the ladder reflects the tone by representing life's path with may hardships and opportunities. This tone is further revealed in the desire to sleep of the woodchuck, in a deep peaceful slumber, and the lure of sleep throughout the piece. This poor worker simply wants to "reach the winter" and finish their hard yet fulfilling life, expressed in the abundant diction, imagery, and voice. This poem almost adds years to the readers...
Sunday, September 5, 2010
A Method to the Madness
(Perrine, "The Nature of Proof in the Interpretation of Poetry)
"Words in poetry thus have richer meanings than in prose- they may exhibit purposeful ambiguities- but the meanings are still confined to a certain area."
The goal of Perrine is not to judge other interpretations of poetry or to deny multiple meanings of a poem, rather his goal is to put a cap boundless interpretation. Through his discussion of poems by Emily Dickinson, Walt Whitman, and Herman Melville, he offers what he believes are the most correct explanation of these poems. I agree with Perrine that poems must have a cap of interpretation; however, I do not like the way he claimed his interpretation was the most correct. For example, he deeply discusses the connection of stars to the poem "The Night March" by Herman Melville and clearly states that any other interpretation is nonsense. Personally, I the whole star thing just didn't click. I went though and circled all the words like he had his students do, and read each point twice, but lets just say the stars were not in line. I saw other room for interpretation, but soon felt foolish for think so. Perrine says he is open to other interpretation, however his explanation of the poem clearly shuts the door to all other interpretation.
Aside from denying all other interpretation, I like Perrine's style. I would agree that a poem is "any pattern of words -defines an area of meaning, no more" meaning that there must be a limit of interpretation and symbols. He understands that poems will produce multiple feelings and images, and even addresses the fact that "no poet likes to be caught in the predicament of having to explain his own poems..without admitting failure or without saying something different (and usually much less) then what his poem said.". I think Perrine understands poetry fairly well, and he teaches the importance of making sure that connections make sense throughout an entire work. His students and readers will hopefully learn to investigate all details in all poems and make sure to write poems that can support a full clear image. He offers an method to the seemingly impossible task of understanding a poem, a tool needed by students of literature everywhere.
"Words in poetry thus have richer meanings than in prose- they may exhibit purposeful ambiguities- but the meanings are still confined to a certain area."
The goal of Perrine is not to judge other interpretations of poetry or to deny multiple meanings of a poem, rather his goal is to put a cap boundless interpretation. Through his discussion of poems by Emily Dickinson, Walt Whitman, and Herman Melville, he offers what he believes are the most correct explanation of these poems. I agree with Perrine that poems must have a cap of interpretation; however, I do not like the way he claimed his interpretation was the most correct. For example, he deeply discusses the connection of stars to the poem "The Night March" by Herman Melville and clearly states that any other interpretation is nonsense. Personally, I the whole star thing just didn't click. I went though and circled all the words like he had his students do, and read each point twice, but lets just say the stars were not in line. I saw other room for interpretation, but soon felt foolish for think so. Perrine says he is open to other interpretation, however his explanation of the poem clearly shuts the door to all other interpretation.
Aside from denying all other interpretation, I like Perrine's style. I would agree that a poem is "any pattern of words -defines an area of meaning, no more" meaning that there must be a limit of interpretation and symbols. He understands that poems will produce multiple feelings and images, and even addresses the fact that "no poet likes to be caught in the predicament of having to explain his own poems..without admitting failure or without saying something different (and usually much less) then what his poem said.". I think Perrine understands poetry fairly well, and he teaches the importance of making sure that connections make sense throughout an entire work. His students and readers will hopefully learn to investigate all details in all poems and make sure to write poems that can support a full clear image. He offers an method to the seemingly impossible task of understanding a poem, a tool needed by students of literature everywhere.
Tuesday, August 10, 2010
More than a Game
(O'Brien, entire book)
Literary Term: Motif
Throughout this entire book, the ideal that war is a game is displayed multiple times. Very early the book reveals this: "The average age in our platoon, I'd guess was nineteen or twenty, and as a consequence things often took on a curiously playful atmosphere, like a sporting event at some exotic reform school. The competition could be lethal, yet there was a childlike exuberance to it all, lots of pranks and horseplay. (O'Brien, 35). The theme continues while he describes the outlandish images of a swimming race he saw while making the decision over the draft. The little boys that hiked around the lake almost mirror the plodding troops going through Vietnam. When Jimmy Cross mentally composes the letter to Kiowa's father, he considers explaining it through golf. In short, this novel considers war as a required PE requirement rather than its true purpose of killing and fighting others. History and Hollywood have transformed war into a bloody game, and this novel simply fuels this fire. At what point will the world realise the horrible effects and deadly effects of war? When will the world recognise that war is more than a simple game ?
Literary Term: Motif
Throughout this entire book, the ideal that war is a game is displayed multiple times. Very early the book reveals this: "The average age in our platoon, I'd guess was nineteen or twenty, and as a consequence things often took on a curiously playful atmosphere, like a sporting event at some exotic reform school. The competition could be lethal, yet there was a childlike exuberance to it all, lots of pranks and horseplay. (O'Brien, 35). The theme continues while he describes the outlandish images of a swimming race he saw while making the decision over the draft. The little boys that hiked around the lake almost mirror the plodding troops going through Vietnam. When Jimmy Cross mentally composes the letter to Kiowa's father, he considers explaining it through golf. In short, this novel considers war as a required PE requirement rather than its true purpose of killing and fighting others. History and Hollywood have transformed war into a bloody game, and this novel simply fuels this fire. At what point will the world realise the horrible effects and deadly effects of war? When will the world recognise that war is more than a simple game ?
I Am Unwritten...
(O'Brien, 231-233)
Literary Term: Metaphor
This last scene is one of the most understandable of the book and it gives a very personal insight to O'Brien's life. During the last few pages, Linda explains a comparison explaining death and memories: "Well right now, she said I'm not dead. But when I am it's like...I don't know, I guess it's like being inside a book that nobody is reading...An old one. It's up on a library shelf, so you're safe and everything, but the book hasn't been checked out for a long long time. all you can do is wait. Just hope somebody'll pick it up and start reading" (O'Brien, 232). This seems to finally explain O'Brien's motives for writing this book; it wasn't to just recall his memories, or to simply act as therapy for what he experienced. Rather, O'Brien makes it clear that he does not wish to be a dusty old book. He doesn't want to die forgotten or hidden on a shelf. He wants others to keep his story alive and circulating for years to come. Honestly, I find this to be silly, when you live this earth you're not coming back. No one will care about what materials are left behind, and no matter what, the world will eventually forget every dead person. What matters more is to impact loved ones and to give fully while here, not to preserve for a future one will not be here to see.
Literary Term: Metaphor
This last scene is one of the most understandable of the book and it gives a very personal insight to O'Brien's life. During the last few pages, Linda explains a comparison explaining death and memories: "Well right now, she said I'm not dead. But when I am it's like...I don't know, I guess it's like being inside a book that nobody is reading...An old one. It's up on a library shelf, so you're safe and everything, but the book hasn't been checked out for a long long time. all you can do is wait. Just hope somebody'll pick it up and start reading" (O'Brien, 232). This seems to finally explain O'Brien's motives for writing this book; it wasn't to just recall his memories, or to simply act as therapy for what he experienced. Rather, O'Brien makes it clear that he does not wish to be a dusty old book. He doesn't want to die forgotten or hidden on a shelf. He wants others to keep his story alive and circulating for years to come. Honestly, I find this to be silly, when you live this earth you're not coming back. No one will care about what materials are left behind, and no matter what, the world will eventually forget every dead person. What matters more is to impact loved ones and to give fully while here, not to preserve for a future one will not be here to see.
Your Eyes as We Said Our Goodbyes
(O'Brien, 219-233)
Literary Term: Flat Character
Thoroughout this final chapter, the reader is introduced to Linda, a young child that suffered and died of cancer at a young age. Her death didn't end her involvement in Tim's life, who often thought of her as his first love. She was a humble, kind girl that remains that way after her passing. So, while her character has few personality traits, they are important for the development of Tim and his view of death. There is a touching scene of Tim recieveing a visit from Linda after her passing where she explains her mysterious contentment and happiness in being dead. The light descibed in her eyes represents innocent lives and innocent death. Her death began the fading of Tim's eyes, and his eyes simply got darker throughout his life and the war. However, even thought he lost an innocent view of the world, he still seems to have an innocent hope of peace for the dead. This must have helped him through the war, espeically during death.
Literary Term: Flat Character
Thoroughout this final chapter, the reader is introduced to Linda, a young child that suffered and died of cancer at a young age. Her death didn't end her involvement in Tim's life, who often thought of her as his first love. She was a humble, kind girl that remains that way after her passing. So, while her character has few personality traits, they are important for the development of Tim and his view of death. There is a touching scene of Tim recieveing a visit from Linda after her passing where she explains her mysterious contentment and happiness in being dead. The light descibed in her eyes represents innocent lives and innocent death. Her death began the fading of Tim's eyes, and his eyes simply got darker throughout his life and the war. However, even thought he lost an innocent view of the world, he still seems to have an innocent hope of peace for the dead. This must have helped him through the war, espeically during death.
Identifying the Meat
(O'Brien, 211-212)
Literary Term: Imagery
This gruesome scene describes Rat's mental breakdown including his fear of bugs, gory mental images, and twisted medical mind. He describes his fear in such a way that the reader can almost see his described liver, heads, and tunneling bugs; its disgusting. However within this description, Rat almost seems wise: "The whole war, he said. "You know what it is? Just one big banquet. Meat, man. You and me. Everybody. Meat for the bugs" (O'Brien, 212). It's that simple; no matter the side, both are dying, suffering, and mentally breaking down.
On a different note, this scene freaks me out, but not because of the gore and disturbing images. Rather, as a student interested in heath care as a profession, I fear that this will happen to me. The chance of considering people only as parts scares me to death. However, it is only a matter of keeping morals in check, whether that be by personally getting to know patients or removing oneself from the situation by shooting one's toe off...
Literary Term: Imagery
This gruesome scene describes Rat's mental breakdown including his fear of bugs, gory mental images, and twisted medical mind. He describes his fear in such a way that the reader can almost see his described liver, heads, and tunneling bugs; its disgusting. However within this description, Rat almost seems wise: "The whole war, he said. "You know what it is? Just one big banquet. Meat, man. You and me. Everybody. Meat for the bugs" (O'Brien, 212). It's that simple; no matter the side, both are dying, suffering, and mentally breaking down.
On a different note, this scene freaks me out, but not because of the gore and disturbing images. Rather, as a student interested in heath care as a profession, I fear that this will happen to me. The chance of considering people only as parts scares me to death. However, it is only a matter of keeping morals in check, whether that be by personally getting to know patients or removing oneself from the situation by shooting one's toe off...
"Experience High"
(O'Brien, 183)
"When you're afraid, really afraid, you see things you never saw before, you pay attention to the world. You make close friends. You become part of a tribe and you share the same blood- you give it together you take it together."
This mood of sudden appreciation for life and people can also be described as "experience high". No matter the trip, group, or cause, any gathering of people that bonds over hardship or deeply shares with each other, this gathering of people will feel extremely bonded to the group claiming they are the closest and best of friends.While in this gathering, the people may experience a simplistic love of life, finding joy or peace in almost anything. However, no matter how close the group claims to be or how many plans the group makes for the future, this group have hit their peak of friendship and bonding. Time, distance, and not constantly being together causes the group to grow apart as they return to their lives. The group simply can't fit into each individual world, it only last in the situation. Tim experiences this, displayed in the following quote: "You forfeit membership in the family, the blood fraternity, and no matter how hard you try, you can't pretend to be part of it. That's how I felt- like a civilian- and it made me sad. These guys had been my brothers. We'd loved one another (O'Brien, 186)". One must recognise that this group will never be as close ever again; still, friendships and bonds have formed and will never be forgotten. Those who work hard to maintain such relationships after the group has split are the true friends of the group. True friendship reflects those who try and include a new person in their world.
"When you're afraid, really afraid, you see things you never saw before, you pay attention to the world. You make close friends. You become part of a tribe and you share the same blood- you give it together you take it together."
This mood of sudden appreciation for life and people can also be described as "experience high". No matter the trip, group, or cause, any gathering of people that bonds over hardship or deeply shares with each other, this gathering of people will feel extremely bonded to the group claiming they are the closest and best of friends.While in this gathering, the people may experience a simplistic love of life, finding joy or peace in almost anything. However, no matter how close the group claims to be or how many plans the group makes for the future, this group have hit their peak of friendship and bonding. Time, distance, and not constantly being together causes the group to grow apart as they return to their lives. The group simply can't fit into each individual world, it only last in the situation. Tim experiences this, displayed in the following quote: "You forfeit membership in the family, the blood fraternity, and no matter how hard you try, you can't pretend to be part of it. That's how I felt- like a civilian- and it made me sad. These guys had been my brothers. We'd loved one another (O'Brien, 186)". One must recognise that this group will never be as close ever again; still, friendships and bonds have formed and will never be forgotten. Those who work hard to maintain such relationships after the group has split are the true friends of the group. True friendship reflects those who try and include a new person in their world.
A Bit of Earth
(O'Brien, 173)
"The field was still there, though not as I remembered it. Much smaller, I thought, and not nearly so menacing and in the bright sunlight it was hard to picture what had happened on this ground some twenty years ago. Except for a few marshy spots along the river, everything was bone dry. No ghosts- just a flat grassy field. The place was at peace."
Unlike the human race, the earth and nature has the ability to simply move on. Whether there is death, success, or hardship, nature will forgive, forget, and move on. The human race is constantly fighting nature by claiming ownership and trying to overcome natural response. We fight to have more than we would ever need and reject the call to live in community. Human focus has become more materialistic and revolving on personal needs. Doing so seems to have resulted in our inability to forgive or move on. Sometimes, people simply need to let go, and thankfully Tim finds peace in this scene as he gives final goodbyes to Kiowa. Finding peace simply requires being as humble as the earth and forgiving what cannot be redone.
"The field was still there, though not as I remembered it. Much smaller, I thought, and not nearly so menacing and in the bright sunlight it was hard to picture what had happened on this ground some twenty years ago. Except for a few marshy spots along the river, everything was bone dry. No ghosts- just a flat grassy field. The place was at peace."
Unlike the human race, the earth and nature has the ability to simply move on. Whether there is death, success, or hardship, nature will forgive, forget, and move on. The human race is constantly fighting nature by claiming ownership and trying to overcome natural response. We fight to have more than we would ever need and reject the call to live in community. Human focus has become more materialistic and revolving on personal needs. Doing so seems to have resulted in our inability to forgive or move on. Sometimes, people simply need to let go, and thankfully Tim finds peace in this scene as he gives final goodbyes to Kiowa. Finding peace simply requires being as humble as the earth and forgiving what cannot be redone.
The Things I Did Not Know at First I Learned by doing Twice...
(O'Brien, 163-165)
Literary Term: Flashback
The entire evening of the death of Kiowa is a constant flashback for Norman Bowker. The previous chapter devoted to his life after the war reveals the metal death he had that evening; his entire life and conscience was lost that night and now he suffers an existence he sees no worth in. Pity is a common reaction to this situation; it doesn't seem fair that this man feels responsible for not only killing another person but also having it be one of his good friends. With such guilt and loss of purpose, it is somewhat hard to determine who had the worst outcome that evening, displayed in the following quote: "He was alone. He lost everything. He'd lost Kiowa and his weapon and his flashlight and his girlfriend's picture. he remembered this. He remembered wondering if he could lost himself." Norman isn't the only one that feels responsible for Kiowa's death; Jimmy Cross spends the morning after the attack recalling his previous mistakes and trying to compose himself. He and the other men recognise he acted as a horrible military leader and now Jimmy has to take responsibly. I cannot imagine living in a situation where the smallest mistakes of turning on a flashlight or not reconsidering a location can lead to death. Men of war carry such responsibly whether they recognise it or not.
Literary Term: Flashback
The entire evening of the death of Kiowa is a constant flashback for Norman Bowker. The previous chapter devoted to his life after the war reveals the metal death he had that evening; his entire life and conscience was lost that night and now he suffers an existence he sees no worth in. Pity is a common reaction to this situation; it doesn't seem fair that this man feels responsible for not only killing another person but also having it be one of his good friends. With such guilt and loss of purpose, it is somewhat hard to determine who had the worst outcome that evening, displayed in the following quote: "He was alone. He lost everything. He'd lost Kiowa and his weapon and his flashlight and his girlfriend's picture. he remembered this. He remembered wondering if he could lost himself." Norman isn't the only one that feels responsible for Kiowa's death; Jimmy Cross spends the morning after the attack recalling his previous mistakes and trying to compose himself. He and the other men recognise he acted as a horrible military leader and now Jimmy has to take responsibly. I cannot imagine living in a situation where the smallest mistakes of turning on a flashlight or not reconsidering a location can lead to death. Men of war carry such responsibly whether they recognise it or not.
The Newest Video Game
(O'Brien, 156)
"The filth seemed to erase identities, transforming the men into identical copies of a single soldier, which was exactly how Jimmy Cross has been trained to treat them, as interchangeable units of command"
As the tired and disgusting solders search in this field, they finally fit the ideal mold of solders. It takes shit for them to be treated like shit. Training soldiers to view others as nonhuman is one of the most distasteful elements of war. Humans who treat each other as animals, targets, or other images are twisted, but thankfully most people and solders are incapable of holding such views. This is displayed in Tim's guilt of the death he witnessed and war tales everywhere. No matter how much training soldiers receive, when they are face-to-face with the enemy they simply can't overcome the thought of killing another human being. The book On Killing by Lt. Col. Dave Grossman looks at this by studying the physiological aspects of learning to kill in war and society. It's an interesting book that not only studies solders on the battle field, but also studies the effects of killing and war on veterans. The book also studies the concept of new technology that is further separating soldiers from the people they are killing, thus making it more like a video game. That mental barrier of personal guilt and moral wrongs is conquered and this will result in the deaths of many more people. Personally, this makes me nervous and I hope that there will not be a major world war ever again.
"The filth seemed to erase identities, transforming the men into identical copies of a single soldier, which was exactly how Jimmy Cross has been trained to treat them, as interchangeable units of command"
As the tired and disgusting solders search in this field, they finally fit the ideal mold of solders. It takes shit for them to be treated like shit. Training soldiers to view others as nonhuman is one of the most distasteful elements of war. Humans who treat each other as animals, targets, or other images are twisted, but thankfully most people and solders are incapable of holding such views. This is displayed in Tim's guilt of the death he witnessed and war tales everywhere. No matter how much training soldiers receive, when they are face-to-face with the enemy they simply can't overcome the thought of killing another human being. The book On Killing by Lt. Col. Dave Grossman looks at this by studying the physiological aspects of learning to kill in war and society. It's an interesting book that not only studies solders on the battle field, but also studies the effects of killing and war on veterans. The book also studies the concept of new technology that is further separating soldiers from the people they are killing, thus making it more like a video game. That mental barrier of personal guilt and moral wrongs is conquered and this will result in the deaths of many more people. Personally, this makes me nervous and I hope that there will not be a major world war ever again.
Monday, August 9, 2010
The Little Things Count
(O'Brien, 141)
Literary Term: Mood
"Sometimes the bravest thing on earth was to sit through night and feel the cold in your bones. Courage was not always a matter of yes and no. sometimes it came in degrees, like the cold; sometimes you were very brave up to a point and then beyond that point you were not so brave. In certain situations you could do incredible things, you could advance toward enemy fire, but in other situations, which were not nearly so bad, you had trouble keeping your eyes open. sometimes, like the night in the shit field, the difference between courage and cowardice was something small and stupid."
This entire chapter was devoted to the horrible, and well, shitty evening in the field of poop. Still, even though the event was devastating, this was a very moving passage of the book. The aura of humble acceptance is astounding giving the novel a realistic tone. Many war tales don't focus on weakness or indecision, rather these stories revolve around exceptional risks and sacrifice. While tales of greatness and strength are remarkable, this atmosphere of humble truth makes these soldiers who are trained to be "heroic" killing machines more human. The stereotypical Hollywood image of war hides these faults while highlighting the animal-like behaviors of war, free of wrong-doing and hurt. Additionally rather than bluntly stating hardship or complaining, this passage recognizes mistakes and failure. Personally, I find the attitude in this section to be one of the most impacting scenes of the book, and I wish the entire work was written this way.
Literary Term: Mood
"Sometimes the bravest thing on earth was to sit through night and feel the cold in your bones. Courage was not always a matter of yes and no. sometimes it came in degrees, like the cold; sometimes you were very brave up to a point and then beyond that point you were not so brave. In certain situations you could do incredible things, you could advance toward enemy fire, but in other situations, which were not nearly so bad, you had trouble keeping your eyes open. sometimes, like the night in the shit field, the difference between courage and cowardice was something small and stupid."
This entire chapter was devoted to the horrible, and well, shitty evening in the field of poop. Still, even though the event was devastating, this was a very moving passage of the book. The aura of humble acceptance is astounding giving the novel a realistic tone. Many war tales don't focus on weakness or indecision, rather these stories revolve around exceptional risks and sacrifice. While tales of greatness and strength are remarkable, this atmosphere of humble truth makes these soldiers who are trained to be "heroic" killing machines more human. The stereotypical Hollywood image of war hides these faults while highlighting the animal-like behaviors of war, free of wrong-doing and hurt. Additionally rather than bluntly stating hardship or complaining, this passage recognizes mistakes and failure. Personally, I find the attitude in this section to be one of the most impacting scenes of the book, and I wish the entire work was written this way.
Sunday, August 8, 2010
And the World was Dancing...
(O'Brien, 129-130)
"A while later when we moved out of the hamlet, she was still dancing. "Probably some weird ritual," Azar said, but Henry Dobbins looked back and said no, the girl just liked to dance."
This short chapter captures a few different important elements of this tale. It contributes to the characterization of Henry Dobbins, one of the best characters, as he respects the young girl dancing. The chapter also builds on the theme of silence; however, in this instance the silence is only there for those who can't listen to or hear the music playing in the ears of the dancing girl. The desire to only hear silence plays into the biggest idea of this chapter; the group especially Azar wants to follow the tradition of mourning the dead. They simply can't understand how this gal is not only dancing, but is also smiling and ignoring her family and them. They want her to feel hardship and sorrow and fit the their mold. Common of human nature, Azar tries everything to try and solve this abnormal behavior, from claiming it to be ritual to mocking her. On of the largest flaws of human nature is denying differences, displayed in our habits of war and segregation. Instead, perhaps we should dance rather than question those who do.
"A while later when we moved out of the hamlet, she was still dancing. "Probably some weird ritual," Azar said, but Henry Dobbins looked back and said no, the girl just liked to dance."
This short chapter captures a few different important elements of this tale. It contributes to the characterization of Henry Dobbins, one of the best characters, as he respects the young girl dancing. The chapter also builds on the theme of silence; however, in this instance the silence is only there for those who can't listen to or hear the music playing in the ears of the dancing girl. The desire to only hear silence plays into the biggest idea of this chapter; the group especially Azar wants to follow the tradition of mourning the dead. They simply can't understand how this gal is not only dancing, but is also smiling and ignoring her family and them. They want her to feel hardship and sorrow and fit the their mold. Common of human nature, Azar tries everything to try and solve this abnormal behavior, from claiming it to be ritual to mocking her. On of the largest flaws of human nature is denying differences, displayed in our habits of war and segregation. Instead, perhaps we should dance rather than question those who do.
Thursday, August 5, 2010
Different Views of the Stained Glass
(O'Brien, 113-117)
Literary Term: Foil Characters
As they visit the monks, Kiowa and Henry Dobbins are revealed as foil characters concerning religion.
Kiowa: Throughout the entire book, he makes it clear that he has religion due to his Bible and comments such as "It's bad news, you don't mess with churches" (O'Brien,113). However, his faith is only skin-deep, for later her reveals that he is religious simply because he was raised that way. He only believes because it was how he grew up that way.
Dobbins: Although he is not pronounced as beginning to religion, he holds interest in belong to a church or being a minister. While Kiowa has never thought of being a minister, Dobbins has thought of it because he feels called to show respect and care towards others.
While both of these characters act positively towards religion, they have quite different attitudes towards it. Kiowa remains concerned in maintaining his tradition and finds comfort in the structure and traditions of the church while Dobbins grasps more towards more Christian-like teachings of respect and love. They hold different opinions of the purpose of the church and its ministries.
Literary Term: Foil Characters
As they visit the monks, Kiowa and Henry Dobbins are revealed as foil characters concerning religion.
Kiowa: Throughout the entire book, he makes it clear that he has religion due to his Bible and comments such as "It's bad news, you don't mess with churches" (O'Brien,113). However, his faith is only skin-deep, for later her reveals that he is religious simply because he was raised that way. He only believes because it was how he grew up that way.
Dobbins: Although he is not pronounced as beginning to religion, he holds interest in belong to a church or being a minister. While Kiowa has never thought of being a minister, Dobbins has thought of it because he feels called to show respect and care towards others.
While both of these characters act positively towards religion, they have quite different attitudes towards it. Kiowa remains concerned in maintaining his tradition and finds comfort in the structure and traditions of the church while Dobbins grasps more towards more Christian-like teachings of respect and love. They hold different opinions of the purpose of the church and its ministries.
Ain't that America?
(O'Brien, 111-112)
Within these few pages, the stocking-wrapping character Henry Dobbins is introduced. He is portrayed as an image of America: big, strong, full of good intention, and sentimental. I find his character to be good-hearted and likable. After he is dumped by the girlfriend who gave him his stockings, he claims: No sweat, he said. The magic is still there" (O'Brien, 112). This situation poses the following question: What comforts of America does one cling to as the world changes? By reviewing this nations' history, a few ideals that have lasted will hopefully always be found in this nation. The sense of community, family, and fellowship have been stationary beginning founding colonies, within schools, sports, churches, and through today. This nation will hopefully always be a place of hope, development, culture, and change. Just as Dobbins was able to keep his good spirits, hopefully America can always remain in the positive.
Within these few pages, the stocking-wrapping character Henry Dobbins is introduced. He is portrayed as an image of America: big, strong, full of good intention, and sentimental. I find his character to be good-hearted and likable. After he is dumped by the girlfriend who gave him his stockings, he claims: No sweat, he said. The magic is still there" (O'Brien, 112). This situation poses the following question: What comforts of America does one cling to as the world changes? By reviewing this nations' history, a few ideals that have lasted will hopefully always be found in this nation. The sense of community, family, and fellowship have been stationary beginning founding colonies, within schools, sports, churches, and through today. This nation will hopefully always be a place of hope, development, culture, and change. Just as Dobbins was able to keep his good spirits, hopefully America can always remain in the positive.
It's the Circle of...Tongues..
(O'Brien, 89-112)
During this passage the character Mary Anne is introduced, as one of the most understandable characters of the book. It is admirable how she adapts so quickly to the gruesome gore of the medical work. She becomes an independent mind and good worker, however, this is not excepted by her man Fossie. As Mary Anne becomes more knowledgeable about the war and its work, she starts to represent the changing image of women, and Fossie represents those who wished to keep traditional roles. And just as Mary Anne left Fossie, the traditional view is left behind as the world grew. The change is represented in a quote: "You got here blinders one about women. how gentle and peaceful they are. All that crap about how if we had a pussy for president there wouldn't be no more wars. Pure garbage. You got to rid of that sexist attitude" (O'Brien, 102). Mary Anne's symbolism is further carried out when she wears a necklace of tongues (EWW); she is finally speaking her mind and finally at peace. (Where the peace in that is...who knows..) Unfortunately she loses Fossie, who is deaf to her changed personally and the changing world.
During this passage the character Mary Anne is introduced, as one of the most understandable characters of the book. It is admirable how she adapts so quickly to the gruesome gore of the medical work. She becomes an independent mind and good worker, however, this is not excepted by her man Fossie. As Mary Anne becomes more knowledgeable about the war and its work, she starts to represent the changing image of women, and Fossie represents those who wished to keep traditional roles. And just as Mary Anne left Fossie, the traditional view is left behind as the world grew. The change is represented in a quote: "You got here blinders one about women. how gentle and peaceful they are. All that crap about how if we had a pussy for president there wouldn't be no more wars. Pure garbage. You got to rid of that sexist attitude" (O'Brien, 102). Mary Anne's symbolism is further carried out when she wears a necklace of tongues (EWW); she is finally speaking her mind and finally at peace. (Where the peace in that is...who knows..) Unfortunately she loses Fossie, who is deaf to her changed personally and the changing world.
Two birds with One Stone
(O'Brien, 76)
Literary Term: Allusion
" Well that's Nam, he said. Garden of Evil. Over here, man, every sin's real fresh and original."
This statement is making two possible allusions by using the phrase "Garden of Evil". This may be a possible spin-off of the Garden of Eden, the paradise of the Creation story, supported by the discussion of sin in the second half of the sentence. Additionally this allusion supports the moral conflicts of war and killing. In contrast, this may be making a reference to a 1954 Western titled The Garden of Evil. The plot of this film included a "garden" or a mine site that Indians have decided is full with evil spirits. The allusion towards the film would fit the fear and awe the men hold towards the land. In my opinion, I think the allusion of the Garden of Eden better fits the novel, especially this scene of the killing of the baby buffalo. Support for a connection towards the Garden of Eden can also be found in a passage earlier on the page: "We had witnessed something essential, something brand-new and profound, a place of the world so startling there was not yet a name for it" (O'Brien, 76). However both allusions work.
Literary Term: Allusion
" Well that's Nam, he said. Garden of Evil. Over here, man, every sin's real fresh and original."
This statement is making two possible allusions by using the phrase "Garden of Evil". This may be a possible spin-off of the Garden of Eden, the paradise of the Creation story, supported by the discussion of sin in the second half of the sentence. Additionally this allusion supports the moral conflicts of war and killing. In contrast, this may be making a reference to a 1954 Western titled The Garden of Evil. The plot of this film included a "garden" or a mine site that Indians have decided is full with evil spirits. The allusion towards the film would fit the fear and awe the men hold towards the land. In my opinion, I think the allusion of the Garden of Eden better fits the novel, especially this scene of the killing of the baby buffalo. Support for a connection towards the Garden of Eden can also be found in a passage earlier on the page: "We had witnessed something essential, something brand-new and profound, a place of the world so startling there was not yet a name for it" (O'Brien, 76). However both allusions work.
Blame it on the War
(O' Brien, 74)
Literary Term: Personification
"True war stories do not generalize. The do not indulge in abstraction or analysis....A true war story, if truly told, makes the stomach believe."
O' Brien has a habit of giving a human persona to war, war stories, and even the land of Vietnam. His motives for doing so could reflect his attitude toward his service; perhaps the war consumed him while he was there. He continuously conveys his weak status over his placement or commands. These stories give the impression that the men and soldiers have no control of the situation, just as O'Brien had no control over any of his service from the draft to the marching and fighting.
Or perhaps O'Brien brings war and Vietnam to life as a way to justify his involvement in war efforts. Instead of placing the blame of the war on anyone, he acts as if it is some third person in the battle to which both sides are losing to. He even makes war stories their own character, trying to explain the crazy things that happened. So by making these elements more human-like, the war becomes increasingly bizarre, reflecting the fear and confusion of the men that served.
Literary Term: Personification
"True war stories do not generalize. The do not indulge in abstraction or analysis....A true war story, if truly told, makes the stomach believe."
O' Brien has a habit of giving a human persona to war, war stories, and even the land of Vietnam. His motives for doing so could reflect his attitude toward his service; perhaps the war consumed him while he was there. He continuously conveys his weak status over his placement or commands. These stories give the impression that the men and soldiers have no control of the situation, just as O'Brien had no control over any of his service from the draft to the marching and fighting.
Or perhaps O'Brien brings war and Vietnam to life as a way to justify his involvement in war efforts. Instead of placing the blame of the war on anyone, he acts as if it is some third person in the battle to which both sides are losing to. He even makes war stories their own character, trying to explain the crazy things that happened. So by making these elements more human-like, the war becomes increasingly bizarre, reflecting the fear and confusion of the men that served.
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